S
Want
to send Todd a letter? You can write him here Send
Todd a Question and
his response will be posted along with your question. Please
do not request backstage passes, ask to meet the band, request
autographed items, ask for rides to the airport, free stuff,
stock tips, drumheads, secret recipes, bail bonds, etc. as
Todd is unable to fulfill them. Any
request asking for special favors, autographs, meet and greets
with Styx will not be met with any response. Please
keep your questions to a musical/drumming nature. Thank you!
May 2007
Hi Todd,
Styx seems to have impressed quite a lot of people and won fans over during its recent trip to the UK if the forum at www.melodicrock.com is to be believed. There was a long thread a few weeks ago and the vast majority of comments were extremely positive. Lots of people who were not necessarily familiar with your music highly commented on your performance. That's really nice to hear!
Taylor's album is already on my shopping list at www.cdbaby.com.... This is an album I've been looking forward to and I am glad it is now available.
In the last Dear Todd issue, a gentleman commented on Steve Smith being a rather distant person. I met him twice and also felt he was not exactly interested in non-musicians. He had a bit of this jazz "arrogance" to him. Something Steve Gadd never had when I met him for instance.
I have a few questions for you if you don't mind :
1) How was it working and producing your wife? Do you have to deal differently with her than you would with someone not so close to you? Is it more difficult to deal with the egos?
2) Did "Todd The Producer" found it difficult to assess the performances of "Todd The Drummer" ? Do you feel that you are your worst critic?
3) A lot of musicians I know very highly rate your drumming and skills. Do you feel that you get enough opportunities through your various projects to touch every aspects of your drumming or do you wish that you had a band where you could really stretch out and let go?
4) Lots of people have noticed how accessible you are to your fans. I personally experienced it as well and can confirm that you were extremely friendly. Now, do you find it difficult to interact with fans ? Do you consider it as part of your job or a pleasure? Is it easier to talk to fans having a certain knowledge of music or musicians?
Best regards from at the moment turbulent Lebanon
Take care, Laurent
-----------------------------------
Hi Laurent,
I hope you're safe and that your region enjoys some peace soon. Nice to hear from you as always. Well, the UK run was a lot of fun for me and if we surprised a few people, well then, great. I think that was the idea of doing it in the first place so I'm happy that we had some positive results. As far as Taylor's record is concerned---if you haven't placed the order with CDbaby yet, the folks at Aqua Pulse Records (TaylorMillsMusic.com) usually ship out within 24 hours of the order. So that's the preferred method! As for the Steve Smith comments made by others, I can't comment myself. He's always been a beautiful guy to me. OK, on to your questions in numeric order.
1) It was one of my greatest joys working on Taylor's record. Was it always easy? No. There were a lot of logistical things that had to be worked out every time we made a trip to LA--of which there were many! It's not a matter of anyone's ego in the studio but rather trying to pull out the best performance per track. Anytime you work with a wife, sibling, or lifelong friend the dynamic can be more sensitive. That's a given and we all know it going into it. My brothers can say stuff to me that I would never, ever let anyone else say to me, you know? So there's just a layer of extra care involved which is just common sense to me. I think the results speak for themselves. My co producer Scott Bennett wasn't always around as much as I would have liked. So I produced the vocals top to bottom on "Hello Sun" and Wish Me Well" on my own with Taylor---with no "buffer guy" in between us. I was most nervous and on my toes for those but they are arguably two of the best vocal tracks on the record. Honest, conversational, dynamic and dripping with butterscotch.....again, I couldn't be more thrilled with the results. I hope you love the record, man.
2) I am my worst critic.....and I usually produce, in some ways, all my tracks for anything I do. It's rare when I want another take and someone else makes the executive decision and tells me "no." Rare indeed. I just want whatever I'm working on at the moment to be the best it can be.
3) I'm flattered if some of your musician pals enjoy my playing. You know, the answer to your question is a resounding "no." But If you spend your life studying and improving and you get yourself to a high degree of ability, I'm not sure that there is "one gig" where you can truly get to exercise the entire contents of your life's work. For a rock gig. Styx is a dream because I'm able to play a lot. There are no coasting numbers....it's pretty balls out from beginning to end. However, that's just one side of my personality. James Taylor is never going to call me for a session based on what he would see at a Styx show. But playing James Taylor's types of songs---and singer songwriter stuff is a great joy for me and I know that's a strength of mine. I do not get to show that side of my playing (much less swing, latin, other genres, etc.) on the Styx gig, which takes up 10 months of my year 8 years in a row. I'm not complaining by the way---just giving you an honest answer.
4) Communicating with fans is just what it is---and it isn't any different from years ago until now. Of course I take a greater interest in talks of a musical nature, but that should be only natural. I enjoy passing on information that can be of use and be helpful to younger musicians. That's the most important thing to me. I mean, I can get an email from a fan that says "great show" and not much else. That's lovely to get appreciative feedback but when I can actually help someone with an issue of a musical nature or otherwise, that's the most gratifying for me by far.
Well, that's enough for now! Thanks for your support and interest through the years, Laurent.
Hope Taylor's record brings you the good vibes we had making it.
Take care and stay safe!
Todd
Hey Todd,
Just listened to some samples at Taylor's website and I am very impressed, especially New Year's Eve (really love the feel on this one), Genie In A Bottle, Hello Sun, Anything, Center of Your Heart. Not having heard her voice on it's own before, I'm like where has that been hiding all this time. Anyway, sounds like you are really proud of this and YOU SHOULD BE! Hope this gets the exposure it deserves.
Hopefully we can hear some new Styx music sometime in 2008. Looking forward to what you can bring to the table after the experience of producing Taylor's CD.
Take care, Bill
----------------------------
Hi Bill,
Thanks for the kind words. If you really liked the clips you heard....well.....maybe.....order a copy! That's the best way to "support the cause." Go to Taylormillsmusic.com and it should take 2 minutes at the store, and a 6 panel digipak with a 12 page booklet will be shipped to you within 24 hours. Why not, huh?
OK. Thanks again!
Todd
Hi Todd,
I hope all is well with you. The last time I emailed I was saying how I thought Mr. Smith seemed a little unapproachable, I surly hope that I didn’t offend you and moreover to offend Steve. He is and will remain one of my idols and I certainly didn’t want it to seem as though I was bashing him, I wouldn’t do that to anyone. After reading your response I couldn’t agree more that it could have been a bad night, maybe equipment problems etc. we all go thru that. Also, when touring I’m sure he runs into all kinds and types of fans some good some not so good and for him to make time for all of them is just not feasible. It is my hope that you (and Steve) will accept my apology and contribute it to narrowness of mind!
A few items, at the LaCrosse clinic you ask a question of the audience “How many held their sticks match grip verses traditional grip” if you recall the numbers were overwhelmingly match grip. In light of this would you agree that in some school systems today rudimental drumming is diluted or being water down as appose to say 25 year ago or so? That’s not to say match grip players don’t play well they do! But it just seems to me that the traditional grip way of playing is being left behind.
Also I bought a pair of your Pro-Mark signature drum sticks that night and I got to say Todd they just don’t give up!! That was on April 3rd and I have been using that same pair for gigs, practicing at home and rehearsing with the band, they just don’t break! Great stick indeed.
As always Todd take care and God Bless.
Sincerely
Neil
-----------------------
Hi Neil,
I'll get to all your points in order here. I certainly wasn't offended by your observational comment in your last note. And I'm guessing Steve is not spending his time reading this forum on my site either. As I said before, he was always a lovely guy to me through out the years and I have nothing but love for the man. Your points about bad nights and some bad apple type fans are all valid indeed. You meet a lot of people on the road doing what we do and not everyone's intentions are good whether THEY realize it or not. I could elaborate but it would sound like I'm complaining. It wears you down and honestly sometimes takes as much effort, if not more, to remain thankful, positive, and on the right track. Traveling is tiring. Try staying in a different hotel every night and all that entails.....try doing that 10 months a year......it can get tiring. I digress.
The ration of traditional grip to matched grip players is roughly the same from clinic to clinic. Band directors not teaching it is only part of it but not the main reason in my estimation. Of course a majority of band directors are brass or woodwind specialists who learn enough to get by on other instruments to get their degree. This is not a criticism, it's just a fact. God bless them! But for self taught players it's just easier to pick the sticks up matched....and start playing. I think traditional grip has enjoyed a resurgence in recent years but it will never match the numbers of matched grip players.
Well, I'm glad your are loving and still using the sticks! I hope that when they do finally snap, you'll continue to use them and make sure the store keeps them in stock! I appreciate the positive feedback.
OK, man. Thanks for your note and I wish you luck with your playing.
Take care!
Todd
Dear Mr. Sucherman,
I recently purchased the latest “One with Everything” DVD and was astonished and amazed at your level of technique, sound, and playing style. I had the Return to Paradise DVD but nothing like the latest. My question is, are you planning any instructional DVD for your fans to the likes as Neil Peart did and others, and also are you ever doing clinics in the Chi-town area (the birthplace of Styx –ha ha). I would most definitely enjoy that one and would love to be an attendee.
Your newest fan,
Daniel Hansen
Aurora, IL.
-----------------------------------------
Hi Daniel,
Thanks for your praise and I'm glad you enjoyed the DVDs. I'm planning on beginning production in the late fall for an '08 release if all goes well, so keep an eye out for that. I did a clinic for the drum pad in Nov '04 and did one at the Chicago Vintage Drum Show in May of '05. Hopefully someone will have me again! I just did Milwaukee and Kenosha last April---so I hope you can make it to the next one.
Thanks again for your kind words, Daniel!
Take care--
Todd
Todd,
I'm kind of embarrassed it's taken me this long to let you know how much I dug your clinic here in Ft. Collins. I should get around to these things quicker. I was the contact person at the church where you did the clinic and it was a real pleasure to meet you and watch you work. You were incredibly easy to work with. It was really a great clinic!! I thought your Vinnie comment about "coming down with the tablets" was a beautiful thing to say.
Thanks again and hopefully I'll catch up with you another time.
Chuck Landgraf
----------
Hi Chuck,
Thanks for your note and for your kind words. They are appreciated! I've never done a "church gig" or clinic before and I wasn't sure what to expect when I was told of the venue. But what a great sounding room and the experience was wonderful. Clark Bennett and crew did a great job and I had a great evening with you all.
Thanks again and I hope to see you sometime in the future.
Take care!
Todd
Hey Todd,
First of all, I may as well say I love your stuff. Through listening to your work on Styx and Brian Wilson albums, as well as watching the 'OwE' DVD, I've come to think of you as possibly the best drummer around today. Nobody comes close to matching your chops and style. The 'Quake-Cam' especially has been a source of inspiration to me. (Hopefully someday I'll be able to even begin to play that well.)
Anyway, I have a couple of questions. First, what ride were you using on the Styx song 'Fallen Angel' off of Brave New World? That sound is great.
Second, how much of the drum work on the Brian Wilson album 'Gettin' In Over My Head' was yours?
Third (a trifle, this), do you use any sticks other than your signature model?
Thanks for your time, Todd.
Liam
---------------
Hi Liam,
Thanks for your compliments! I'm happy that you get something out of my work with Styx and Brian Wilson. You know, I had recently switched to Sabian when I recorded Brave New World and I was auditioning several cymbals (rides and crashes) at the time. For the life of me.....I can't remember what I had and I'm usually good with remembering that sort of thing. I'm sorry----I'm completely clueless.
I Played on ever track on Brian's Gettin' In Over My Head record except "Soul Searchin'". That was a great pleasure to work on that although I wish the mix was brighter, clearer, and had a bit more drums a few decibels hotter! And the only sticks I use are my Autograph Model--Todd Sucherman SD330W's.
Thanks again for your note and I appreciate your interest in my work.
Take care, Liam!
Todd
Hey Todd!!
Just happened to stumble across your website. I am a big fan as I am from the old school 36 years of age. Anyways you guys came to Marksville, Louisiana awhile back (Mari Center@Paragon Casino) and I was not able to attend. In fact I was unaware of the concert until the day after. Boy was I mad. Anyways do you think you guys may ever come back this way to play? If so I will make dang sure I will be there.
---------------------
Hi______,
Sorry you missed us. I have no Idea when we'll be back. I'm guessing sometime next year. Keep an eye on our schedule at Styxworld.com.
Thanks!
Todd
Dear Todd.
I must admit to have only 'discovered' your playing recently but I am very pleased I have.
I have found your drumming inspirational. Thank you. I thought I would drop you a line as you seem to like a lot of the same things as I do in terms of influences, kit setup, sound etc.
I'm looking to get a custom Bubinga kit made. I think I have decided on most things about the drums but am still a bit unsure about bearing edges..........so I thought I should ask you as your sound and kit are almost exactly what I am looking for.
Also....as apparently a fellow fan of the 8" tom ...how come you have two of them ?
Thanks for your drumming and time.
Best wishes
James Burtenshaw
Sheffield
England
-----------------------
Hi James,
Thanks for your kind words regarding my playing. You know, I'm having a new Pearl Masterworks Bubinga kit built that will have 10 ply shells and rounded bearing edges to the Pearl reference specs. Being a fan of the old Sonors, I noticed that their bearing edges were never "razor sharp" like those drums that have been in vogue for nearly 20 years or so. People kept wondering why vintage drums seemed so "warm"----well------rounder bearing edges tend to warm the tone up a bit as there is more contact with the drum head. Now, of course there are kits that sound fantastic with sharp edges too but it's a matter of taste and what kind of music the drums will be used for, so it's up to the individual really. But I'm eagerly anticipating my new kit which will arrive several months from now. For strong fundamental tone from the toms, you can't beat thick shells and rounded bearing edges in my opinion. As for the two 8's, I had really wanted a 6" but Pearl couldn't make a multi ply 6" or an Optimount for it. I went with a 8"x7" and an 8"x8" combo and I'm quite happy with it.
I hope this helps you in your drum quest!
Thanks again for writing and take care--
Todd
Hi Todd,
I would like to buy my husband, Aaron, and electronic drum kit this year as a Christmas present. Can you give me any recommendations of what to get and what to look for? My budget is small around $500.
Thanks!
P.S. Styx rocks!
Thanks!
Jamie Hardt
--------------------------------
Hi Jamie,
I'm afraid I don't have good news for you. If you want something that sounds anything even close to a real drumset and not a toy, you'll have to add another zero to your budget. You might get lucky and find something used or on Ebay or something.......but I'm not sure. A good Roland Vdrum or ddrum rig costs thousands. 5-6K.
Really anything else can be found at Toys R Us. It's like trying to find a cheap Porsche, you know?
I wish I had better news for you. Perhaps you'll get lucky and make it happen!
Good luck--
Todd
Hi Todd,
I was in Manhattan Beach, CA this weekend 5/11- 5/12 and saw you play at Pancho's (great bar) and was blown away. My girlfriend and I had such a great time watching you and the band. My son Bradley is a drummer. He is 21, I'm sorry he was not with us to see you. He would have been inspired to say the least. We are from Las Vegas and went down to CA for the weekend what a treat for us that you were playing there. Thanks for a great time. Hopefully we will see you there again soon. See you when you come to Vegas. Thank you, Kal Claver
-------------------
Hi Kal,
Thanks for your note. I appreciate it! Man, I just love that place and playing with those guys. It's so much fun. Thanks for making it part of your trip.
Take care and thanks--
Todd
Todd,
I just wanted to say once again that I enjoy your drumming very much and I am looking forward to the tour this fall. The band is really smoking these days and the shows are always a good time. I am also anxious to get my hands on a copy of “Lullagoodbye”. Everyone has said that the record is amazing.
My question has to do with the two recent books that are out in regards to the band. I think Chuck’s book is fantastic and it was a very enjoyable read and a wonderful story. Despite the mixed reviews on Sterling’s book “The Grand Delusion”, I found it once again to be a very interesting story and I was unable to put it down. I found your comments to be very insightful, despite the claim that was made that you were reluctant to do the interview at first.
I do not want to attempt to ask an inappropriate question, as I understand that most people have no idea what went on with the band. Glen provided some very funny moments in the book, and he comes across as very funny and also insightful. However, if you feel comfortable answering this, what did you think of some of the comments Glen made that insinuated that the band was run by “blond women”, that Gowan was “corny”, and that JY belongs “in the same band as Dennis”? I personally find that each member past and present brought a lot to the group, and I don’t have a favorite side to take. In your opinion, did the book do a good job at capturing what really happened after 1999, and is it an uncomfortable situation that so many things were said in the book that the band wishes would have been kept private?
Once again, I understand that these questions are none of anyone’s business. I am not looking to start anything. I am simply a long time fan of the band and curious as to your general thoughts on the books.
Thanks again Todd. I really admire your talent and I think that the band is better than ever.
Best wishes,
Matt
--------------------------
Hi Matt,
I just finished Chuck's book and I think he did a great job. It's HIS story, not a Styx story, and I'm very happy for him. It was well done!
I haven't read Sterling's book as he has not sent me a copy, and I don't suppose that he will. He did send me some emails with various chapters but that was a long time ago. What I said, Glen said, what anybody said I can't really remember as it's not fresh in my mind. The women were around in those early re formation years but that hasn't been the case in recent years. And remember that HIS woman was not around and that bugged him I guess. I love Glen like a brother and would hug him and kiss him on the cheek if I saw him tomorrow---but he's a conflicted and complicated guy with some issues and that's why he's not around anymore. He often would take out his frustrations easily and verbally, so I'm not surprised he said whatever he said. When it's not "your" band, well, that's the gig. He never really got that which is too bad. But all things happen for a reason and I'll always have nothing but love for him and respect for his musicianship. Again, I can't remember what was said so I can't comment on how accurate Sterling's take was. I remember getting a touch of the idea that I was helping someone who ultimately was going to do us no good and I became uncomfortable with my participation, but I'm a man of my word so I continued. I felt very much like I was telling my side of the story to a huge Dennis DeYoung fan and supporter and that didn't put me at ease. Ultimately, none of this means crap, you know? There are more important things and meanings to life then the squabblings of a rock band. It doesn't mean a thing. We all have bills, insurance, gas and electric, water, phone, mortgage, cable, and we pay those by playing music for appreciative audiences. Not a bad thing, huh?
In any case, I hope you decide to check out Taylormillsmusic.com and pick the record up. Thanks in advance for your support and interest!
Thanks a lot for your note and take care,
Todd
Todd,
I am wondering about the Styx live videos that have been showing up over the last few years. Most of them are semi-pro videos with soundboard sound. They seem to be filmed by the crew with some cameras mounted on stage. Are you aware of these videos existing?
Just curious about what the shows were being video taped for?
Thanks,
Robert
-------------------------
Hi Robert,
I'm really not sure which videos you are referring to......I know Tommy makes things that are backstage and vids from various trips. But from front of the house while we're playing? Hmm. Not us.
Thanks for your note and take care--
Todd
Dear Todd,
Firstly Happy Birthday for Wednesday, hope you enjoyed celebrating it in the UK ! I wrote to you back in June 2005 after seeing you at the Symphony Hall to say how much I enjoyed the show. You promised then that you and the guys would be back and, true to your word, you were at the NEC last night with Deep Purple & Thin Lizzy. What a great show, once again STYX were on top form and by far the best band on the bill. I told all of my mates before the show that you were going to be the best drummer on stage, and boy did you prove me right. They were all raving about your playing afterwards, a few more converts to the STYX camp!!
How was it back stage with Ian Paice and Tommy Aldridge?
I was fortunate enough to get to see JOURNEY three times when they toured the UK recently and Deen Castronovo was brilliant. It makes me sick that not only is he a great drummer, but he is a superb singer as well :o) As you are friends, I was wondering if you could have a word with him about STYX and JOURNEY possibly touring the UK together as that would be one amazing night. For me personally this year is going to be great as by Xmas I will have seen: - Deen Castronovo, Your good self, Ian Paice, Stewart Copeland, Carl Palmer, Mike Portnoy, Keith Carlock and Jason Bonham.
Thanks again Todd for being an inspiration, hopefully see you and STYX again real soon.
Regards,
John Osborne
----------------------------
Hi John,
Thanks for the birthday wishes, kind words, and I'm glad you and your buddies enjoyed the show!
You know, there's not a big "hang" backstage. I saw Tommy a few times and had brief chats as he goes oneway down the hall and I go another. I saw Ian once on the whole tour---for 3 seconds---as I walked to the stage. I barely saw any of the Purple guys at all except for Steve and Don. So, no good stories for you there.
Deen's a bad boy for sure. I'd love to tour with them again. I think they're taking a year off though.
Thanks for coming out to see us again. Hopefully we'll be back soon!
Take care, John--
Todd
Dear Todd –
I don't know what day it is when you're reading this, but I'm sending it on May 2. Hope you have a great one. I'll see you on tour this summer.
Doug in Salt Lake
P.S. -- I didn't realize you shared a birthday with (ex) Foreigner's Lou Gramm (who also, coincidentally, started out on drums, I believe.)
-----
Thanks, Doug!
Hope all's well with you--
Todd
Hey Todd,
Frank Di Minno here, otherwise known as Zoot back in Boston. I used to make you crazy practicing double bass one floor above you, and was constantly bumming smokes form you as well. I don't know what possessed me to write other then I have followed your career a bit since school and I'm so happy for your success. You were always a GREAT player, and really nice to those who maybe weren't at that level yet. You sound amazing and I knew life was good when I saw you on some morning show here in NY. Way to go!
I still play, but write and produce more then anything else. Life is really good.
I wish you continued success wherever life takes you.
Be Well,
Frank Di Minno
-----------
Hey Zoot!
Nice to hear from you, man. Thanks a lot for dropping me a note and thanks for your kind words. I'm glad life is good for you and that you're making it happen in the music business. That's great! I'm touched that you thought to write-----and I wish you continued success and happines!
I walked by the Heminway dorms last year and Cappy's pizza is gone---my heart sank. That whole neighborhood is changing!
OK, Zoot---take care!
Todd
Hey Todd:
Well, we did it! As I wrote you a while back, I bought my son Michael a set of drums, but switched them to Pearls at your recommendation (Forum Series). I upgraded the heads to Remo Pinstripes, and he is currently taking lessons (again at your recommendation) at a local music store. My question to you now is, how do I properly tune the drums? I purchased the adjustable tension drum key, but how do I determine how tight/loose I should tighten them? They just don’t “sound” right….the flow from one drum to the other doesn’t sound smooth. I am just an amateur, but I do have a good ear. Any help?? Oh yeah…..I’ll see you at the end of June here in Chicago…triple bill….Styx, Foreigner & Def Leppard! I’ll catch you after the show (hopefully) at the meet & greet. Thanks for your help.
Michael Howe
Downers Grove, IL
---------------------------------
Hi Michael,
Your question is a tough one in a written forum like this. There are many variables. Pinstripes are a little "dead" sounding for my tastes but they have a long lifespan which keeps your expenses down. I like Remo clear ambassadors but they're even trickier to tune. Start with the heads slack and loose and tune them lug to lug slowly---while doing this place your hand in the middle of the drum and tap with a stick close to the edges by each lug. Tune them up all at the same pitch. Experiment with this. I know there are a few DVDs available on the topic of drum tuning---I've never seen them, but they may be of some assistance to you. All drummers have to experiment to find their own sound. That's part of the joys/frustrations of learning and growing.
I hope I've helped in some way. Thanks and good luck to you both!
Todd
greetings todd,
i saw you may of last year in panama city florida and decided at the 11th hour to make the show and man o man I'm glad I did, i was lucky enough to get a seat upstairs next to the wall as far back as they go so I took my binoculars. I was just astounded buy your performance and the bands as well, the musicianship on stage by all was over he top! as soon as i got back home to the beach I was on the computer finding out just who that drummer was.
your dedication to your art has obviously paid off in amazing in ways that you can touch others deeply, bringing out emotion and passion to those that witness your performances. I can only fathom what it does to you on your end. I am a drummer as well and the few times I get to enjoy a show of the caliber of the one you and styx put on that night brings out a few things in me as a drummer. 1st... awe, 2nd I believe its best to just use my drumsticks at the chinese restaurant to eat with. then inspiration hits me to be better at drumming and I am inspired to practice even more.
i do have a few questions for you about your equipment. what do you usually use for your heads on live performances. i have looked extensively on remo and many other places and could not find anything. lastly a quick run down of how you tune your drums? both equal tension? bottom higher in pitch than the top etc etc. I am aware of all the variables of what goes into your sound, types of mikes, EQ and so on. but a general rundown would be much appreciated. and by all means make another pit stop in panama city again!!
you guys sold the place out last time!!
thanks todd!
tomcat
---------------------------
Hey Tomcat,
Thanks for your enthusiastic comments and kind words! I really appreciate it very much.
I always use Remo (I am on their website I think) clear ambassadors top and bottom on the toms with the bottom heads slightly higher than the tops. They're tuned evenly lug to lug all the way around. I use clear powerstroke 3s on the bass drums and a coated ambassador on the snare. Our engineer, Gary Loizzo does a great job on the drums......very natural EQ with different amounts of reverb depending on the tune.
I hope we make it back to your neck of the woods soon. Thanks for coming out to the show and for dropping me a note.
Take care and good luck with your playing!
Todd
