Want to send Todd a letter? You can write him here Send Todd a Question and his response will be posted along with your question.  Please do not request backstage passes, ask to meet the band, request autographed items, ask for rides to the airport, free stuff, stock tips, drumheads, secret recipes, bail bonds, etc. as Todd is unable to fulfill them.  Any request asking for special favors, autographs, meet and greets with Styx will not be met with any response.   Please keep your questions to a musical/drumming nature. Thank you!

 

 

October 2009

Hi Todd,

My name is Dom Chandler I’m a 37 year old drummer from London, England, I’ve been playing drums now for about 15 years in many different settings mostly pro/amateur with the exception of some recordings and an album (Tracie Hunter’s second studio album ‘Screaming Superego’, Tracie is the daughter of Mott The Hoople frontman Ian Hunter). Since I started playing drums I always aspired to be the best I could be, learning by ear rather than charts I wanted to get signed and live a life of rock ‘n’ roll.

15 years down the lines and loads of bands, lessons, gigs and drum kits later I finally had a very harsh realization, I’m 37 years old, I’m not famous, I never broke into the session scene, during the day I have to work a regular job and my wonderful girlfriend and I want to buy a house (which over here at the moment is next to impossible!) and that money has to come from somewhere which means overtime at work. My dream of being a rock ‘n’ roll killer drummer is all but over, this hit me very, very hard. "I started too late, I didn’t push myself hard enough, maybe I’m not as good as I think I am?". All of these questions circled round my brain endlessly…. I became quite depressed.

Then I bought your Dvd, Methods And Mechanics, at first I was simply astounded by your playing, so tasteful yet complex, and executed with such beauty, it is a joy to watch. But as I watched and listened something else came out, some of the stories and advice you gave really struck home, Playing one week with Styx in a huge end of tour show and then the next week loading your drums through the kitchen at a function in the building opposite and laughing, saying to yourself “that’s music”, listen to you say "how lucky you are to play drums and how much you love music", and how you should play each gig with as much respect for the music whether it is a function or a stadium, and most of all "being true to ourselves".
 My dream of playing drums for a living may be slipping away but thanks to you I realize that, ok, I may not have made it but that doesn’t mean I love playing drums any less, sure I may have other commitments and responsibilities now that I didn’t have 10 years ago but does that mean when I’m on stage I’m any less a drummer? And it made realize that I’ve been playing drums for the wrong reason, to make it big and be rich and famous.

As you quite rightly say, if that’s what you want out of drumming you may as well go by a lottery ticket, ‘cos it more than likely won’t happen!.
 I now realize why I’m a drummer, because I love to play drums, whether in a practice room, a wedding gig, a big rock gig or recording in a studio it is all the same, I’m doing something I love, playing my drums. Granted as we get older unless it is our job we will all suffer the constraints of time, which is why we should enjoy the limited time we have with our instrument.
 
From the bottom of my heart I thank you, for your inspiring words and  playing, I thought my life had come crashing down around me but thanks to you I know now it’s ok to just be the best I can, even if it’s once a month in a wedding band.
 
Yours gratefully and with the sincerest respect,
 
Dom Chandler
-------------------------------
Dom,

As you know, I've already replied to you personally---but wanted to print this here because your letter was incredible to receive. Feedback like this is absolutely amazing and I'm so happy that the dvd has had this positive effect on you.  I hope you continue down the path of truth and happiness and that will bring great things to your playing and career.

Thanks for your honest and open letter---and for taking the time to share your thoughts with me.  I was blown away by your sentiments.

My best to you, Dom!

Todd

Todd,

Really enjoyed the DVD; more than anything the anecdotes and personal philosophies about being a better musician and human being.

Keep up the great work, best of luck with all your endeavors. Hopefully we'll get a local clinic soon!

Steve Mackie
Cedar Park, TX
----------------------
Hi Steve,

Thanks a lot for your kind words---they are appreciated.  I hope someone would invite me for some clinics around Texas sometime!

Cheers,
Todd
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Hi Todd,

I've been watching your DVD and after being away from the drums for about 15 years, you have inspired me to take them back up. I played for 27 years before that and, being a bit rusty, I need to practice. I was wondering what kind of practice pad you use in your DVD and where I might find one like it? I would like to practice while watching your DVD in my living room and really need to keep the noise level down. Thanks for your inspiration.

John
----------------------
Hey John,

Thanks for picking up the dvd and fro dropping me a note.  The practice pad I used in the DVD (and the same one normally travels with me) is made by Pro Mark.  Here's a link to the item at the Pro Mark website:

http://promark.com/products/view.cfm?product_id=66f0648a-053b-451b-85fe-a5d9da6bd623

It's a great pad and it's pretty quiet too.

Hope that helps!

Thanks again, John-

Todd
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Dear Todd:
 
I was wondering what you’re using these days as far as microphones on your toms.  I have your DVD, and see you’re using Audix D-2, D-4 and D-6 on the rack toms, floor toms, and kicks, respectively.  However, on your site, it looks a lot like you’re using one of the Audix condenser mics on the toms, and I was wondering which ones, and how you find them to be with respect to compression or EQ necessary.  I use an Audix D-6 on my own kick, and am very happy with it—much better than another commonly used kick mic which shall remain nameless (same thing as far as the I-5 mic as far as I am concerned).  I’m curious as to your experience with the tom mics, and opinions which you might share.
 
Much continued success—I was an early fan of yours from Styx shows here at the Cape Cod Melody Tent before you guys blew up again and I can’t see you at small venues.  Oh well—great for you guys, and enjoyed meeting you and watching your playing at the 2008 Modern Drummer festival.  My son, a far better drummer than I, used “One With Everything” as a proficiency evaluation song at Berklee—lots of very nice figures in that drum part—you should consider publishing some of your charts.   Best of luck and hope you might find time to respond to my inquiry.
 
Sincerely,
 
William C. Henchy
------------------------------------
Hi William,

You are correct about the D2s, D4s, D6s, etc.  Those are what I use on the road and in my home studio.  I'm not sure what pictures you were referring to---but I've had different mics in different situations especially before I was officially with Audix.  I know we used small AKGs and Sure98s with Styx in years past and they don't compare to the Audix D2s and 4s.  The only time I used the small Audix was at the Modern Drummer Festival.  They sounded great to me, but I love the bigger mics---simple as that.  The Audix SCX-25A overheads are ridiculous.  I'd put them up against mics that cost 3 times as much.  We even used them for vocals on a few tunes on the upcoming Taylor Mills record.

Oh, and we still play small places. Big, medium and small--whoever will have us!  And thanks for your kind words.  I hope your son is enjoying Berklee and getting the most out of it.

Hope I've helped, and my best to you both!
Todd
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Hey Todd, 

How have you all been? I am looking forward to seeing you in October when you come to Tampa. I am curious as to what the set list is? I heard you are no longer playing the medley this tour?? That was such a hit! Is a "new" medley in the works? Will there be a new venture into the studio in the future? Thanks for your time!

Take Care!

Tony
-------------------
Hi Tony,

I don't have great answers for your questions.  The medley was retired in '06 after three years of playing it.  There's no other medley to take it's place---just full songs.  As far as recording projects go, well, I hope so.  I just play the drums and I don't call the shots around here!

Thanks, man-
Todd
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hey todd,

i was at a clinic of your in Tulsa, Oklahoma and got to sit right next to you and get a great view of your technique. you were very gracious to answer everyones questions. i was the black guy that asked a question about the paradiddle lick you do between your splashes in "Tears of Joy." anyways, i love your snare sound and am curious to what you feel about the way you tune your snare. i love a nice deep sound myself but am the first to admit its limitations. any tips? what is the sound you feel works best for all-around playing. thanks again. you rock!! 

-ben satterlee
--------------------------------
Hey Ben,

I remember you!  OK, on to your question.  I think I've loosened the tension of the top and bottom slightly as my starting point in recent years.  I really try to let the music dictate what I need from the snare because the snare dictates so much of how the overall track sounds.  Make sense?  I get tired of cranked up "popping snares" as a whole lately.  Again, if the track calls for it, it can be awesome.  But I have the bottom head tighter than the top by a pretty good amount. The snares are just up from "loose big band" sounding.  So they aren't to loose but they aren't tight and choking the drum.  I like some "Bpfff" from the snares right after the crack impact sound.  A little breath.  Also hitting the drum with rim shots just off center really opens up the sound as well.  I guess that's what I go for as far as an all purpose "starting point."

Hope that helps you, man.  Thanks again for the kind words and see you in Tulsa next time!
Todd
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Hello Todd,

I`m Dmitry, 21 years, from Latvia, i`ve been drumming for 3-4 years and i saw many drum dvds, books, recipes and so on and on, but Oh my goodness, i was watching your superior DVD with open mouth for that hours... i think i was very weird looking at that time, but it came from nature, from the beginning of the DVD that song Tears of Joy and YOUR perform there, such musical, such effortless - was just outstanding.

Truly, as many people said, most inspiring DVD i`ve ever saw. Actually, these is question section, and i guess if i`m writing to these section, i need to have some question, but really Todd, i`m still amazed by your DVD, so i guess after some time, when i will watch it in more calm, maybe couple of question will appear from me.

But for now on, i just can say THANK YOU, million times,  for these job, amazing tips, amazing thoughts, techniques, ideas for creativity and music ... everything is just perfect :) i`m glad that i listened to my friend and ordered my copy of Methods and Mechanics. Thank you Todd, keep rock, i hope someday you will release one more DVD :)


------------------
Hi Dmitry,

It's great to receive your note all the way from Latvia.  Thank you for getting the DVD in the first place, and I'm so glad you are enjoying it!  Thanks for taking the time to share your thoughts with me and know that your questions are welcome anytime.  I hope you continue to enjoy the dvd and that it spurs creative ideas for you.

Thanks again, Dmitry!
Take care,
Todd
____________________________________________________________________________________
A cheerful "Bla-Da" to you! 

Hi Todd! I thank you for taking the time to read this email. I have been truly touched by your playing & talent & simply had to write you to say "Thank You". 

I grew up in the Boston area, and had many opportunities to experience the amazing music scene & community there. My "drumming DNA" took shape on the south shore of Boston through lessons, clinics & workshops at Dicenso's drumshop with Dick, Dave & supporting cast. As a young kid, I sensed that my experiences with Dave Dicenso were priceless. His special talent has been at the source of my drumming inspiration. And like you, I found the public school music programs to be impactful, further shaping me as a musician. Fast forward many years to the present day, where life finds me at nearly 41 years old & living in West Texas of all places, working for an Aerospace company. (lol) I'm in the recliner one night surfing the HD channels on TV, only to stumble across the "One with Everything" gig with STYX & the CYO. Half way through the show, my drumming soul began to stir. My senses were approaching an epic overload! That kit setup.......That sound........Those chops! I began to laugh.......you know, that kinda awkward, head shaking "I can't believe what I'm experiencing"  kinda laugh. I could hear Jim Rome's voice in my head saying....."pfff, ridiculous". lol. Suddenly, my drumming mind & soul began to filter out all the non percussive sounds coming through my surround system. In a 3-D moment, you & your kit burst forward through my plasma screen as the drumming angels collectively held a high "C". (AAAAAAAAAAAAAAAAH) It all came together at that moment. I started talking to myself......"Hey, that's the guy I saw at DFW a few years back. That's the STYX drummer who's kit & feature in MD I drooled over." (ah, the drums..... I don't drool over guys. lol) "How the hell is he keeping all those musicians on stage (and most of them kids!) in line and on tempo?"  RIDICULOUS! Just an unbelievable performance, Todd. Way to "duck" it out, man! (smooth on the surface....feet in a frenzy below the surface. lol) I knew there was someth ing more for me, in terms of what I could learn from you & your talented playing. It was back to my October 2008 issue of MD. It was setting my DVR to record One with Everything, the next time it played on that HD channel. It was YouTube & your website. I hadn't been this excited and this moved/inspired (in a drummy way) in years. Now don't get me wrong. To be clear, I'm inspired everyday, by everyday occurances. Especially the simple, little things in life. I'm inspired by other drummers & musicians, as well. But what I'm referring to here, is another level. My "drumming soul" has been touched, stirred & impacted by you & your talent. So it was on to Amazon to purchase your M&M DVD. The DVD arrives and suddenly I'm transformed into the little kid sitting in my Dad's closet looking at Playboy magazines. lol. I've been "Sucher-ized!". That's right! Baptized in the waters of Todd Sucherman's concepts, playing & talent. Amen, Brotha! Words simply fail to describe the amount of appreciation & respect I have for you and your playing, and more importantly, how you've touched my drumming soul.  A heartfelt thank you from me to you. 

The amazing aspect of playing drums is the constant evolution we continue to go through. We all have oodles of influences, that impact & shape our drumming lives & soul. But to me, it's that core group of musical influences that really define & continue to form our drumming DNA. I mean, how cool is it to experience the levels of emotions we experience through people we've never met before? How amazing is it to be able to touch & be touched by simply playing our instrument! The ability to stir emotions in people without a spoken word or physical touch is truly special, if not mind boggling. And yet as drummers, we are honnored with that ability & experience. I thank you again for the "awakening". You've inspired me beyond belief. Welcome to my "drumming DNA core". lol. 

Question time!!! 

What specifically was your inspiration for your drumkit/rig setup? I'm guessing it was "Steve Smithian" based, in terms of placement & positioning. Was it one of those, "yeah, this makes sense" moments? Your setup seems to be precise & efficient, and looks very comfortable from a playing position sense. How did you arrive at your setup decisions? Was it simply your grip choice & seat height that paved the way for your setup and playing style? So many questions......so little time. lol Inquiring minds wanna know...... 

Weight & balance question: Where is the bulk of your weight when you're in your playing position? Do you keep your weight "anchored" to your seat? I ask because of that "hunch & lean" we traditional grip players are know for. lol. I was just curious as to how you would describe your playing foundation.

As for your foot technique, you describe it in your DVD as "straight forward" in terms of playing double bass. I'm curious about your stoke execution with your feet.  For instance, while playing heels up. is your downstroke "ball of the foot driven" or "heal driven?" Meaning, is your weight on the downstroke  "behind" or "in" the balls of your feet or are you pivoting your ankle & dropping your heels? Bizarre questions, I know.  But stiff feet/ankle/calf or more "moeller" type foot strokes? 

Last bizarre question for ya: (lol) In your minds ears, how do you hear your drums? I swear I can hear my drums through my body, as my body absorbs the acoustic sounds of my drums. Do you find that using in ear monitors take away from the acoustic bath we crave or do you use wedges on stage in conjunction with the in ears? (there's nothing like the air movement and acoustic bathing one enjoys from a kick drum coming through large speakers. lol) 

In closing, I just want to take the time to thank you for ganging my inner gong, so to speak. I am simply stunned by your talent. Personally, you've given my much inspiration and a ton to chew on for years to come! Thanks Todd! 

Rob Chrisom

San Angelo, Texas 
--------------------------------
Hi Rob,

Wow, man.  Thanks for your touching and enthusiastic letter.  I'm flattered my playing has resonated with you and that you've been inspired to spend more time at the drums.  All I can say is thanks!

OK, on to your questions-

My set up hasn't changed that much since 1986 or so.  It certainly was "Smithian" based, but that's because his concept resonated with me, and made total musical and physical sense.  I suppose heights and angles have changed a bit over the years (seat lower, gear higher in the old days) but the concept has remained the same.  I don't have much on the topic other than one has to find what works----just like the way you have your seat and mirrors in your car---it has to fit you.  And that's what works for me.

My seat (throne) is the foundation.  I like the cheap and tiny Pearl D-70 throne because it does not move at all.  No side turning, no back and forth, it is stationary like a piano bench. I try to keep my back straight and "sit up" with the best posture I can.  I think those who slump and slouch are in for problems down the road. It's a matter of being aware of how you are sitting and playing.

Yeah, it's hard for me to answer questions on the feet.  I have no "Moeller" or any fancy action going on down there.  It's kind of barbaric, and I'm not sure how to explain it any better than I did in the dvd. The heel is up, I do use the ball, and I slide up on the pedal for double strokes.  That's the best I can do for you!

I don't loose anything with the in ear monitors because I can still feel the drums physically.  They still resonate and feel alive to the touch.  The in ears also make the drums sound beautiful (with the help of a good engineer) and the music mix can't be beat.  I'd be deaf if I still did what I did on the '96 tour with monitors blaring my head off.

Thanks again for sharing your thoughts with me, Rob.  Again I'm touched by your enthusiastic note and I hope I've done all right with your questions.

Keep playing!

Todd
____________________________________________________________________________________
Hey Todd,

I noticed you have a laptop behind you when you play.  what are you listening to?  what program are you using?  mac or pc? 

thanks,
Chris
--------------------
Hi Chris,

There was only one time ever---that I had a laptop behind me and that was at the Modern Drummer Festival. (On DVD).

It was just used as an "iPod" so to speak, but it was my Mac Book Pro.  The reason I used that in the first place is because Hudson wanted large files for the backing music.  My iPod had skipped twice the week before playing files that were 70+MB, so I thought it would be a safer bet using the laptop.  Big lesson learned though.....'cause it fell in the middle of "One With Everything" and I had to begin again.  Thank God it was a MAC.......best stuff on the planet, period the end.

So there you go.......thanks!

Todd
____________________________________________________________________________________

Hello Todd,
 
I’m really enjoying your Methods & Mechanics DVD.  It’s one of the very best instructional DVDs out there.  Not only are you a skilled professional but a great mentor, which is rare.
 
A few questions if you don’t mind?
 
1.       Is there notation for that cool groove you play during the intro of the DVD?
2.       Can you comment on the snare and bass note placements for the fast paradiddle-diddle jazz groove?
3.       Is there another DVD in the works?
4.       Are you planning any clinics in the Detroit area?
 
Thank you for producing an excellent DVD. 
 
Best Regards,
Lou
-------------------------------------
Hi Lou,

Thanks for getting the DVD and thanks for your kind words!  They are appreciated.  On to your questions......

1.  No, there's no notation to anything except for the hands/pad examples on the PDF.  All the outdoor stuff (and really almost all the contents) were totally improvised.

2. As far as the bass drum goes, lots of accents with 2 over 3 in the swing time.  (One hit every 3 quarter notes for an over the bar line feel.)  The snare is just filling in the ghost notes of the pattern. I was just hearing phrases if I accented anything---but that pallet is open to interpretation of the player---you can accent anything you want, really.  That was just an example of the paradiddle-diddle in a Gadd/swing time type feel.

3. I would like to do another DVD but it will be awhile. I have some ideas in my mind of what I'd like to do--and it would be different.  Again, I can't see tackling that for another year or two.

4. Here's an honest answer......I don't plan on doing any clinics anywhere.  But when someone invites me, I do!  That's how it works.  I do not choose where I do them.  Say, your local drum dealer would contact the correct parties at Pearl/Sabian about having me in for a clinic.  The companies contact me about my availability and schedule.  If it all works out, a clinic is planned.  I have to be invited.  I can't invite myself over to someone's house (dealer).  So....I haven't been invited to go to Detroit so there are no clinics planned there.....ever......until some drum shop invites me!

OK, Lou.  Thanks again fro writing and take care-
Todd
_________________________
Todd,

I was very impressed with your performances on the Modern Drummer Festival DVD and with the Contemporary Youth Orchestra (HD Net).  As such, you have earned a place on my "mental mantle" of favorite drummers.  I intend to purchase your instructional DVD and hope to see Styx play at the Grand Theater or Marathon County Fair in Wausau, Wi. 

Rich Johnson

Wausau, Wi
--------------------------------
Hi Rich,

Thanks a lot!  Well, I hope you can catch us at a show---and I hope you do decide to pick up the DVD. If you haven't, you can do so direct from "us" and it will ship right to your mailbox!

http://www.altitudedigital.com/todd-sucherman-methods-and-mechanics.html

Thanks again for your kind words--
Cheers-
Todd
____________________________________________________________________________________

Todd,

I’ve just spent a bit of time on your site, and in reading about what heads you use, and hearing them in context, I must ask you how you tune your toms. I realize that I’m hearing a processed sound (mics, room sound, effects, etc.) and that the shell of the drum plays a large part too, but I’m sort of surprised at the sound you get with a single-ply head like an Ambassador, especially on the larger sizes.

By the way, it almost goes without saying that I’m humbled by your playing and the feeling you put into it. I can feel the love for the music and the instrument. I’ve been playing 43 years, haven’t invested the time into my craft like you’ve obviously done, but I feel like I can relate to how you feel when you’re playing. Aggression to subtlety; power to finesse – the full dynamic spectrum. You’re an artist, and the song is the canvas you paint with your drums/cymbals/emotions.

May God continue to bless you as you share his gift.
 
Sincerely,
 
Dave Sharon
-----------------------------------
Hi Dave,

Thanks for the compliments---they mean a lot----and I'm flattered that you enjoy my playing.

I talk about tuning a bit in the "gear" section of my DVD and in a "Quick Tip" section.
(http://www.altitudedigital.com/todd-sucherman-methods-and-mechanics.html)

Basically the bottoms of the toms are a little tighter than the tops.  I find single ply Ambassadors are actually louder and brighter sounding than 2 ply heads (to my ears anyway).  I just try to tune evenly from lug to lug and get the drum in the spot where it wants to live....and sing freely so to speak. The bass drum batter is almost flappy (2 ply Powerstroke) and the snare lives wherever the music dictates that it should.

I hope that helps a little, and thanks again for writing!

Todd
____________________________________________________________________________________

Hi Todd,

I've noticed that the crash cymbals and such will have different "tones" off them on the decay after you wack'em. So do you use the same process of elimination when looking at 10 cymbals in front of you of the same make and type? 

So if you do; Is it better to have these all in the same "key"? I use Zildian's A custom billiants and my fav ride is the 22" ping ride from Zildian. I know you have a paste ride? Your lucky to have a ride cymbal like that with not a lot of overring. 

Oh your drum sticks ROCK! They're light, but have the nice thickness and length so your not getting el tendonitus in the wrists. Sorry I know that doesn't sound right. =D 

Thanks Todd! Can't wait to see the band again, hope the REO,Night Ranger, S T Y X tour swings this way to KY. 

Jeff Kulas
----------------------
Hi Jeff,

Just to clarify, I have never owned a Paiste ride.  All my cymbals are Sabain. I think you might be referring to my 20" Raw Dry Ride.  But to answer your question, (and again I talk about this in my DVD: http://www.altitudedigital.com/todd-sucherman-methods-and-mechanics.html) I think cymbals should have different tones and characteristics that compliment each other and work as a family.  Any batch of similar cymbals can work if the music calls for it, but I like a combo of bright and dark.  In my DVD the basic set up has a mix of HHX Evolutions, AAX, AA, Paragon and Prototypes.  Five different lines in one set up.  It's fun to put a "family" together.....and maybe folks don't think about that as much as I thought.  It's natural.  Use your ears and find what works for you and the music you play---that's the answer!

Glad you are digging the sticks and hope they work for you.  They feel perfect in my hands.

OK, Jeff.  Thanks again and take care--
Todd
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Morning Todd,

It was 2004 and my wife and I were going to see Styx at the Fond Du Lac fair in Wisconsin. I was not sure what to expect. I was blown away by the show. The band was great driven by this drummer I did not know. The drums sounded awesome. The first thing I did when I got home was Google the band to find out who you were. I have been a big fan ever since.

Last night my wife and I went to see Styx at the Beaver Dam fair hoping to see and hear what we did 5 years ago. We'll I must say you guys have not missed a step. The energy you gave the fans was great to see. It was great to see that same Pearl kit I remembered from the first show. You may have made some changes to your setup over the years but it still had a great sound! And by the way, your playing was once again inspiring yet very tasteful in your interpretation of these classic songs.

I hope to be able to see your playing again someday. We'll be watching for you.

Rock their socks off in Ohio!!!! 

Ken
-----------------
Hi Ken,

Thanks for the kind words and for coming out to the gigs.  Actually the kit you just saw was a different one from five years ago.  It looks almost identical but the "guts" and shell design, bearing edge cut is different.

Hope you can catch us again and thanks for dropping me a note.
Cheers!
Todd
____________________________________________________________________________________

Hey Todd,

I will 23 years of age on 9/24.  I have been playing drums for about 16 years.  I would love to pursue music as a career but work and school along with other life's hassles get in the way. 

Onto my questions.  I have been mainly using Zildjian cymbals.  As of late, I have be obsessed with the Sabian HHX.  The look is sweet and they sound amazing.  I was pondering on getting so Sabian cymbals.  Any recommendations on what would be good to buy?  What is your favorite line to play?  I noticed on the M&M DVD you use some HHX but during a live setting I see you use mainly AAX and AA's.  Is there certain cymbals you use for different situations?  I know you used to play Zildjian cymbals.  Do you still have them or play any Zildjians at home?  If you haven't seen the new Zildjian Hybrid line, I recommend you check them out.  Their pretty sweet. 

When you were just starting out as a career in drumming, did you hold a normal job?  I am so hung up on funding my retirement and saving for a house that I feel it interferes with a music career that I can live off of.  You're so lucky to play with a great band like STYX.  I check yinz out anytime you're in Pittsburgh. 

Your playing is brilliant and you are truly a mastermind.  On your web site there is a section to hire you.  Does that mean you are considering giving lessons?  If so, how much?  I'd love to have a lesson with my idol who is truly an inspiration to me.  

One more question, what's in your CD player or in your IPod play list now? 

Respectful,

Bill
------------------------
Hi Bill,

Thanks for your compliments.  Whew----you have a lot of questions, so maybe it's easier if I do the highlight "<   >" thing for your questions and then my answers are below.

<Are there certain cymbals you use for different situations?>

Absolutely.  I favor brighter heavier models on the road with Styx as they have to cut through the music and stand up to physical punishment.  I just answered someone here about how I used cymbals from 5 different Sabian lines in my DVD set up.  It's fun to put a family a cymbals that work together. I love the HHX Evolutions, and use them in clinics/recordings, but they are too thin and delicate for 2 hour rock shows.  But they are beautiful.

<Do you still have them or play any Zildjians at home?>

I have some that I had when I was growing up.  I kept those but sold off my mid '90s stock years ago.

 
 <When you were just starting out as a career in drumming, did you hold a normal job?>

Never.  I always was fortunate to work as a musician.

<On your web site there is a section to hire you. Does that mean you are considering giving lessons?>

That page still needs to be constructed, but it's not for lessons.  It's for recording sessions.

<what's in your CD player or in your IPod play list now?>

My iPod is often on shuffle mode!!

Hope I've answered your questions to your satisfaction.  Thanks again and take care, Bill!

Todd
____________________________________________________________________________________

Todd,

I saw your performance on TV with Styx, you are an incredible drummer. I have a direct question to ask you. What do I need to do to be able to be considered to play drums for touring bands, and studio work?

Scott C. McCuiston
-------------------------
Hi Scott,

Thanks for the compliment.

Studio work and touring are often two very different worlds.  But the common attributes would be:

A good work ethic
Being reliable
Always on time
Having the right gear
Having the right attitude
Getting along with people
Taking direction (musical and otherwise)
Making those around you happy
Reading music is essential for sessions
Delivering the goods behind the drum set

That's all you need.  Oh, and contacts of course.

Hope that helps and thanks for your note.

Todd
____________________________________________________________________________________

Todd,
 
First of all my name is Phillip and I love your music and drumming. I also play percussion myself. Recently in a school project (I’m in 5th grade) we wrote a letter to our idols and you are mine. A lot of times I would sit at my drum set and act like I’m playing the drums in the 2006 orchestra video. I’ve seen you a couple times before and am wondering when the band will come Virginia beach amp. I hope you aren’t having any problems where you are. And have a great time.
 
Your fan,
Phillip
--------------------------
Hi Philip,

Thanks for your note and I'm very flattered that you enjoy my drumming.  Thanks!  Well, hopefully well get to Virginia soon---most likely next year.  Hope you can make the show when we swing through your area.

Thanks again, and take care!
Todd
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Hi Todd,

I was just wondering how you prefer to hold your sticks. I'm only 11 and I think that you are the greatest drummer ever. I also wanted to 
ask you on your technique on hitting double bass and drums a lot faster. Thanks


From, Lucas

-----------------------
Hi Lucas,

I hold my sticks where I find them most comfortable, and that's mainly with traditional grip.  I also play matched grip depending on the feel of the song, tempo, and how I'm feeling at that particular moment.  Thank you for your kind compliment---but there are many drummers who are beyond my imagination and abilities, but I thank you nonetheless.  As far as double bass goes, I just make sure my pedals and seat are comfortable and that they are working in my advantage.  Start slow and build your speed and endurance.  More importantly---build your accuracy and your consistency.  That means for to me than shear speed.

Thanks for your note, Lucas!

Todd
__________________________________________________

Todd

I actually wrote to you about a week ago but I thought of a couple more questions for you if you don't mind.

I noticed as I was reading ask Todd from August you said you have a place in LA and Austin? Do you have 2 drum rooms, if so that's sick. Do you have pictures of that room also.

In my previous letter I asked you about other cymbals other than Sabian that you may use.  In the Return to Paradise DVD 1996 you use Zildjian cymbals, what was you line up of cymbals.

I watch M&M all the time. It's awesome.  Also I enjoy checking out some of your playing on youtube.  How many drumsets do you actually own?

Thanks Todd,
Bill
---------------------
Hi again, Bill--

<Do you have 2 drum rooms, if so that's sick. Do you have pictures of that room also.>

The LA home is sold and those pics were on my site for years.  Pics of the Austin room reside on this website, my Face Book and Myspace pages.

<In the Return to Paradise DVD 1996 you use Zildjian cymbals, what was you line up of cymbals.>

If my memory is correct, A Custom Projection crashes, K/Z hi hats, K Custom ride, K Chinas.

<How many drumsets do you actually own?>

Eleven, I think.

Cheers-
Todd
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Todd,
 
Was at your clinic in Toronto last night and although I had to leave a few minutes early (promised to pick up my daughter at 9:30) it was a very inspiring evening….great material, great pace, just sorry I had to leave before the night ended.
 
All the best!
 
Brian
---------------------------------
Hey Brian,

Thanks for coming and thanks for the positive feedback.  Glad you enjoyed it!


Take care-
Todd
____________________________________________________________________________________

Hi Todd:

I just wanted to thank you again for a great evening last night at Cosmo Music, in Toronto. I know you met a lot of people and may not remember us, but it was my son Zachary that gave you a picture he had made for you in school. You also kindly took a moment for a photo with him, and it was such a cute shot, that I just wanted to send it to you (I've attached it in PDF format so hopefully you should be able to see it).

Zachary is mostly self-taught on drums; neither my wife nor I play any instruments, yet he has had an incredible gift/knack for music since about the age of 2. He has only had 6 very basic lessons at Cosmo Music, and essentially teaches himself everything by watching concerts on TV, youtube videos, etc. I know how busy you are, however if you get a chance and want a smile, here is a 40-second video that I took of him when he was 4 1/2 years old (he's turning 5 in a few weeks) playing on his drum set in our basement. It is sort of a "secret link":

http://www.youtube.com/watch?v=qBZiFIsUUuE


If that doesn't make you smile, I'm not sure what will!  The possibilities of what he might do with some serious lessons just spins our heads. Yikes!

As shy as Zachary was with you last night, he is still chattering about the clinic non-stop, and I'm sure he will be for a long time. Anyhow thank you again for your time, and a great experience last evening; it was a pleasure to meet you and watch your incredible work. Have a great day!

Best regards,

Jason
-----------------------------
Hi Jason,

Of course I remember you both!  I'm answering these "Ask Todd's" on a plane flight as I often do, and am not online to download the pic or check out the video---but I will when I get to where I'm going.  I'm sure I'll smile indeed so thanks for sending those along.

Thanks as well for coming out to the clinic and for being a most supportive parent. I'm flattered that it made such an impression on Zachary.  Please give him my regards!

My best to you both and see you guys again sometime-

Todd
____________________________________________________________________________________

Hi Todd,

Wow.....another great show with Styx at 'The Fallsview Casino' last night! ....Thanks for the great entertainment... 

Congratulations on all of your recent accolades in the drumming community. Proof is in the pudding, and your show at 'The Avalon Ballroom' was
just blow-away! .....You're just tearing up the musical scene! 

I love the work that you put into your DVD! 

take care,

....fellow drummer
Randy Gallant 

PS: I sent a couple of pictures to you  yesterday via Larry Gowan's wife....taken from the last time that you played 'The Fallsview'. Did you receive the photographs?
------------------------------------------------
Hi Randy,

Thanks for all the kind words and compliments!  And the pictures were safely handed off to me successfully.  Thanks for those as well!

Hope you can make it out when we swing through next time.

Cheers,
Todd
________________________________________________________________________

Hi Todd!

I'm a veteran drummer (47) from Finland, and I just bought your DVD. My English is not perfect since I don't have to use it so often, but I still had to write to you and tell you what a great DVD you have put together. I'm no pro-drummer (I play as a hobby in 2 bands),  but I love how your DVD is put together and how inspiring it is.  I own a lot of drumming-DVD's (I have the Steve Smith-dvd too), but I have to say this is by far the most inspiring of them all! All your thoughts on playing drums, what you're talking on your DVD, really great stuff.

And your playing... WOW!  ... and the way your Pearl Masterworks drums sound, awesome. So thank you for sharing your knowledge about drumming to us all. 

I wish you a great future, and thank you again for making such a great DVD! 

Best regards, 
Lars Kullberg
Borgå Finland
---------------------
Hi Lars,

Man, thanks for your beautiful note and for sharing your thoughts with me.  Thanks for getting the dvd in the first place, but I'm so happy to hear of your enjoyment of my efforts.  And your English is great!

I hope the dvd inspires creativity in your playing, Lars.  Thanks for writing!

Hope to make it to Finland one of these days-

Take care,
Todd
____________________________________________________________________________________
 
Todd

Just got my copy of  “methods and mechanics” I have not stopped watching it. Spent all day Sunday with it in the practice room. I saw you with the Return to Paradise tour years ago and thought to myself …….. this guy is the real deal! I then saw you with the Arch Allies tour with REO and was in drum heaven with you and Brian both the same night.  I am pleased to see you getting the respect that you have earned and the blessings that your hard work have paid for. I just wanted to say thanks for doing this video. I only wish that I had something like this available when I was a youngster and had the time to dedicate to the practicing. Now at 45 I still get away from time to time and pop in one of my favorite DVDs. Yours will now join Steve Smiths, Jeff Porcaro’s, Bernard Purdie’s and Chester Thompsons as a cherished treasure in my drum instruction collection. My son is now getting the drumming bug and I will make sure he gets to see your amazing video. Thanks again and keep doing what you are doing a lot of people are now watching and listening!
 
Warmest regards and appreciation ….. Greg Johnson………. Knoxville Tennessee

-------------------------------------------

Hi Greg,

Wow, thanks for your note.  I'm honored to be counted with those luminaries in your list.  You know, in making "Methods and Mechanics" I wanted to have a lot of "I wish I knew this when I was younger" type things. I'm glad you tapped into that.  I really appreciate the compliments and I wish you and your son the best!  Thanks for taking the time to share your thoughts with me.

Keep playing and hope your boy gets the bug.  Drumming is a powerful thing for the father/son relationship.

Cheers,
Todd
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Todd

I'm a huge fan of your drumming, I'm 15 from STL MO and have been playing drums for 10 years and you're one of best I've ever seen, By the way, outstanding solo in St. Louis on your latest trip there, there is one fill that has always baffled me and i just can't figure it out, it's when you go around the toms and throw the double bass in there and it's so fast and cool but I can't figure it out, it's on one of your solos on youtube, it's this one MD fest 2008 around this time 1:45 - 2:05 and two more ques. what is a good foot building exercise and any advice for a drummer dreaming of a drum life like yours. So thanks for everything, keep up the good drumming, and hopefully talk to you soon.

----------------------------------------------
Dear______,

Thanks for your kind words.  I'm on an airplane right now without internet---so I can't check.  Even if I could, I'd have no idea which of the many vids on youtube you were referring to.

But I do a whole section on hands/double bass in my DVD, "Methods and Mechanics."  Honestly, the questions you ask of me couldn't be made clearer or easier than getting the dvd right from us at:

http://www.altitudedigital.com/todd-sucherman-methods-and-mechanics.html

Rather than typing out generalities and suggestions for a career in music, I map out many detailed ideas in the 5 hour double DVD presentation.  I hope you pick it up as the answers lie within!

Thanks again and keep playing-
Todd
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Todd

Just a quick thank you. Your clinic last night was spectacular. My son and I were mesmerized from start to finish. Periodically something inspires us to really want to play. Thanks for the inspiration.

Cheers
Geoff Thompson
-----------------------------------------------------------------------------

Hey Geoff,

Thanks for coming to the clinic and thanks for dropping me a note.  I'm so happy you and your son enjoyed it!

Cheers to you both-

Todd
____________________________________________________________________________________

Hi Todd,

We met at your recent drum clinic in Kitchener at The Gig Theatre. Here are the pictures that I took. I'm downloading Taylor's CD from iTunes as I type this. If you are looking for a bass guitar player, I have a friend in Montreal Quebec named Chaz Butcher who is very good. You can see him on http://www.facebook.com/l/9855d;youtube.com in the Lee Aaron videos for "Hands On" and "Watcha Do To My Body". He's played all over the world and is really good. My question for you is : "what do you feel influences the sound of a drum , depth or diameter , or is it a combination of both ? " Thanks very much for your time. All the best to you and Taylor ,

Ty Andrassy
-------------------------------
Hi Ty,

I'm on an airplane so I have no internet to check out your link but I will.  Thanks for getting the Taylor Mills record and hope you love it---and hope you love it enough to pick up the new one that just came out called "Under the Surface."  You can get it now from taylormills.com/  and eventually iTunes.  But with iTunes you don't get all the smokin' hot pics of my wife!

Thanks for the bass player tip.  I'm fortunate to have many awesome bass player buddies.  To answer your question, the things that effect the sound of a drum would be:
Shell construction
Shell material
Shell thickness
Mounting system
Depth and diameter
Drum heads
Drum sticks
Tuning
And the person who is striking it.

Thanks for making it out to the clinic and for dropping me a note---

Cheers,
Todd
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Hey Todd:

Just a quick note to again thank you for the great clinic. It was amazing and very informative. Not only for the drum techniques but the comments about being on time, good mood, listening to the music being played.

Anyway I won't take up any more time but as I said your Dad would be so proud not just in the drumming ability but your down to earth manner and teaching skills.

All the best, by the way love the DVD.

Terry Froats/Kingston,On.
-----------------------------------------
Hi Terry,

Thanks for making it out to the clinic and I deeply appreciate your compliments.  Thank you!

See you next time---
Take care, Terry!
Todd
____________________________________________________________________________________

Hey Todd

Just wanted to wish you continued success  THE BEST TO YOU!    

from  Boomer
------------------------------------

Thanks, Boomer!

Cheers-
Todd

 

August 2009 Letters