Todd -

I had the privilege of attending your clinic last night with my 15 year old son, the real reason I was there.  As a parent I have to thank you for your great words delivered with humor and honesty. 

Alpha has been home to us for 6+ years and has brought in great musicians but your clinic last night definitely hits the top of my list.  I'm certain your DVD will be part of the equipment in this house and you even introduced us to Taylor's music.

Best wishes and thank you for sharing yourself.

Sincerely,
Gina Koehler
----------------------------------
Hi Gina,

Thank you very much for your note.  I'm glad I made a positive impression on both of you--and thanks for being a supportive parent to a young musician.  I really love doing clinics and passing on useful information and it's great to receive feedback like yours, so thanks again!

I wish you both the best-
Cheers,
Todd

Todd,
Recently purchased your latest DVD and wanted to say thanks for putting together a fantastic piece of work!  All the information presented is golden no matter where you happen to be in your "drumming life."  And you're drumming is nothing short of awe-inspiring!  I'm a middle aged guy in my 50's and played as a kid through my teenage years when life took me in another direction away from drumming.  This past year I decided to pick up the sticks again and it's guy's like you that have inspired me to do so.  Thank you so much for that gift!

As for the music question.....just wanted to know if the audio tracks you play on the DVD (especially Tears of Joy) are available for purchase anywhere?

Thanks again and all the best to you and your family!  Have a safe and wonderful Christmas!

Larry
Lawrence R. Rankine
CW3 (Ret), USA
----------------------------------
Hi Larry,

Thanks!  I really appreciate all the kind words, and thanks for getting the dvd in the first place.  To answer your question, "Tears" is on two different Jerry Goodman records that are sadly out of print, but they are different versions than what is on the dvd.  My version only exists there, and on the Modern Drummer Festival 2008 dvd. The Taylor Mills songs are from the "Lullagoodbye" record available here:
http://www.taylormills.com/

I'll be working on another dvd later in the years and will be using some songs from Taylor's latest "Under the Surface" record.....so if you get that you'll be familiar with the material!

Again, thanks a lot for your kind words and I hope you are having fun behind the kit.

Tale care-
Todd

Dear Mr. Sucherman,

I am a 53 year old drummer, and recently purchased your DVD, "Methods And Mechanics." 
I have been playing drums for 45 years and have NEVER in my life been so inspired as I was by viewing your DVD. 
Your gentle spirit, sincerity, humble attitude, and your love of the drums came across beautifully.

My 17 year old son, Christian has an audition this spring to attend Berklee, in Boston, MA.  We were able to bond together using your DVD as a catalyst for ideas, not only for drumming, but for a professional attitude.

In short, Todd, I cannot compliment you enough for the wonderful job and love you put into created your "Instructional DVD.!"

Thank you so much!

Fondly,

Bob
Branford, CT
------------------------------
Hi Bob,

Thanks for your beautiful compliments.  I truly appreciate it and I've been so humbled and honored by the feedback I continue to receive on the dvd.  I'm glad you were inspired and I hope it helps your son with his upcoming events. 

Thanks again, and I wish you both luck.....and that you both enjoy the ride.
Cheers!
Todd

What's up Todd?!  This is DeShawndre Hill.  I'm a 27 year old middle school band director who's waiting for his big break. (Sometimes I feel like Dom Chandler but that's another email).  We met in Birmingham, AL back in February earlier this year when you did a clinic for the Alabama PAS Day of Percussion (I gave you one of my business cards so you could spell my name right and you kept it).  As soon as I left the clinic that day I went out and bought your DVD and a pair of your sticks.  I used the sticks soon after on a rock gig and they didn't last very long.  But I do still have and watch your DVD religiously.  I'd always played traditional grip in marching band but found it quite awkward on drumset.  Between you, Dave, and Vinnie, I'm slowly but surely making the switch and I'm using the "trad" grip for more than just jazz.  The rudiments and combinations you play on the DVD have inspired me come up with some of the craziest patterns ever!  But more than that, just watching you is inspiration enough!  Your musicality and fluidity on the kit is a clinic in itself.  Thank you for all you do and keep up the good work.  Hopefully someday I'll have the money to come to LA and do some lessons with you!
-------------------------------------------
Hey DeShawndre,

I remember you!  And I remember that day well.  I also remember trying to fly out of Birmingham the next day---in the middle of the first snow storm the city had seen in almost 20 years!  Yikes.  Anyway thanks for the kind words and I'm happy that you are digging the dvd and clinic.  That means a lot.  Sorry the sticks didn't hold up---well, they work for me anyway!
Hope gigs are plentiful and thanks for dropping me a note.  Keep up the good work!

Todd

Hi Todd.

Just finished watching your DVD...  Congratulations on that endeavor!
What an accomplishment.  Here's a question from a fellow Illinois-ian:

I have just completed a book on Afro Caribbean Rhythms for Drumset.  It's
a very thorough book and I was wondering if you wouldn't mind taking a
look at it and send some feedback my way.  If you wouldn't mind throwing
in a quote for the book, I'd be honored to add it to the accolades that
the book has already received.

I can send it as a pdf file, for your convenience or I can send you a
spiral bound hard copy.  Whichever you prefer is fine with me.

Thank you for your continued inspiration, and I look forward to hearing
from you soon.

All my best to you, Todd.

Thanks!
Matt Murphy
----------------------
Hi Matt,

Sorry for the delay in getting to your note----the emails sent here are forwarded to me and for some reason your email address didn't come up or I would have  responded personally.  Feel free to send the book and it will be passed on to me, but I'm not a real "book" sort of guy when it comes to playing.  Although I can read music, there are very few drum books that I've dealt with (mainly the Chaffee books) so I'm not sure how much I have to offer in the way of feedback or quotes, but I'm happy to peruse your materials.  Thanks again, and thanks for the kind words!
Cheers-
Todd

Hello Mr. Sucherman!

My name is Fran Merante and I am in the process of practicing a lot of the spectacular ideas from your DVD as well has some of my ideas that have spawned from your ideas.

I just have a quick question for you on the Straight Gablushe.

On the Stickings and Rudiments pdf, the Straight Gablushe is notated with even spacing between the notes. It is notated with 2 groups of  6 sixteenth notes with a flam on the first note of each group. However, when you demonstrate it in the section where you apply rudiments to the kit, I hear it as having more space between the flammed note and the double strokes. It becomes more obvious when it is shown slowed down. I hear it as a 16th, 4 32nds, and a 16th with a flam on the first 16th of each group and then repeated but alternated. I understand that it is probably to my advantage to learn them both ways, but I was just curious if the lick you use for the played example is actually different than the one on the sheet. I ask this because I prefer the one that is played on the DVD as opposed to the one that I interpret from the sheet and I want to make sure I have the played version correct. I also want to make sure my transcribing skills are still up to snuff or if I now need to spend more time on that too!!

Thanks so much for your time!! (No pun intended)

Fran Merante
--------------------------
Hi Fran,

All the example you have stated are correct.  It's just how you PLAY them is all that matters.  You can leave the space in there or you can smear it.  When I'm playing it (in the faster examples) it's sort of smeared so you don't hear the space.  Just like you can play 6 Rolls in rigid 32nd note style or move them into perfect triplets---or taking the gablush or blushda and giving it the military Swiss triplet with drags or smearing it into the Tony Williams vibe.  You can't notate vibe.  So I hope I'm making sense when I say that both ways are correct.  It's in the execution that makes all the difference.

Thanks for your question and I wish you the best!
Todd

Hey Todd!

Sorry for bothering you, but what snare did you use in the paradise theater tour? I have always been wandering. Thanks man! ROCK ON!!!!! 

From, Lucas
-------------------------
Hey Lucas,

That was my Ayotte 14x4 snare drum I used on the '96 tour.

Cheers,
Todd

Dear Todd,

Do you remember playing at Howard Cohen's Bar Mitzvah?  I remember you and your brothers played Wings' "Someone's Knockin' at the Door".  Who knew it was only the beginning!  Congratulations on your success!

Deb Havdala Wrobe
----------------------------
Hi Deb,

Wow!  The way back machine.......1977 perhaps?  I indeed remember.  Thanks for the kind words and I hope life is lovely for you!   Thanks for dropping me a note!

Todd

Hey Todd,
  
 I wanted to thank you for making such a great DVD before I start asking questions;
  
 1)       What was the china cymbal to your right on the methods and mechanics DVD (not your live setup)?
  
 2)       Are there any professional level cymbals you know of that are somewhat inexpensive?  I know you play Sabian…
  
 3)       Do you know of any way I could acquire sheet music (drums) for the song Tears of Joy? 
  
 4)       What is the main difference between stage drumming and studio drumming?
  
 5)       Last of all, do you have any tips for developing fast doubles? (both hand and foot)
  
  
 Thanks again for a great DVD and also for making it possible for other musicians to ask you questions!
  
                                                                                     --Samuel
---------------------------------------------------------------------------------------------
Hi Samuel,

Thanks for the compliments on the dvd and I'll try to answer your numbered questions in order.

1.  Hmmm.  I had a lot of cymbals to my right, so I don't know which one you are asking about.  I get asked about that 20" Prototype ride a lot, so maybe you mean that one?

2.  No, I don't.  I'm a believer in "you get what you pay for."  But it's all in the individual's ears anyway---that's the reality.  Trust your ears.

3.  I know of no such place to get piano sheet music for that song much less drum charts!  Sorry.

4.  The simple answer is one is a live performance and the other is a recording.  A recording lasts forever--and a live performance is a performance, and moments are gone forever once they happen.  I could go on and on but there are very obvious differences.  I'm sure you get the point.  It's a different mind set with many variables on both sides of the coin.  When you say "studio drumming" do you mean a drummer who happens to be in the studio?  Or is it drummer who plays on many different records with many different artists with many different producers?  You see, this could go on for a while!

5.  Any tips for doubles I have are included in full during the "hands section" of the dvd.  I'm not sure I have any more to add than what was demonstrated there other than there's no substitute for time spent working--and there are no short cuts.

Hope that helps!

Todd

Hi Todd,

My name is Alan I'm a local contractor and bass player. I checked out your info on your drum room and found your information very helpful.

Currently in the process of putting together a drum room for a client and looking for feedback from different ways to tackle this project.

I have read and spoken with a lot of people on this subject and hear a lot of conflicting concepts on the details.

I know you used  Auralex products and specs my question to you   1. did you frame a new wall with an air gap in front of the existing wall (a room with in a room) or

did you build onto the existing wall w/Rc channel etc....   ?  2. is your raised floor attached to your walls or free floating?  You sound very happy with the

outcome of your project and being an A Cat you would need your space to perform dead on. Your feedback on these details would be greatly appreciated.

Thank You

Alan
-------------------------------
Hi Alan,

I have done two rooms (one in LA and one in Austin) that were done very differently.  Now I'm not really a handy man, so I was not that involved in the process between designer and contractor.  But I know I did use the RC Auralex hat channel on both rooms.  We used a 6" air gap in Austin and a smaller gap in LA--but we used more Auralex sheet rock in LA.  I must say that my LA room was a touch more silent on the outside, but my neighbors are quite far away in Austin so it has worked out.  I can't truly answer your question regarding the floor being attached or free floating---sorry.  I really can't remember.

I can recommend a book on soundproofing by Mark Parsons.......the name escapes me at the moment but you can do a search on Amazon.com and pick it up there.  I wish you luck with the room!

Hope I've helped in some way.
Cheers,
Todd

Hey Todd, my name is J. Gibson. I have been playing for a while and my biggest problem that I have is moving from the pad to the kit. When on my practice pad during warm-ups I warm up with various rudiments and have no problems, then when I move over to the kit I loose the smoothness, if you know what I mean. Is it a matter of me spending more time on my kit and snare or could it be a tension problem with the batter heads? My drums sound as though they are tuned properly and my kit does sound great Im just not sure if the head tension is right. Any suggestions and thanks for your time.
--------------------------------
Hi J,

Well, drums really don't respond like pads do.  Often times there is a greater rebound bound on a pad--depending on the pad.  I would spend more time at the kit.  Can you warm up on the kit?  If you make that part of your routine, things should settle in and become more comfortable for you....hopefully!  There's no substitute for time spent on the actual instrument developing your feel and touch on the drums & cymbals.

I wish you luck!
Todd

Hi Todd:

I was just wondering if you have plans to attend NAMM this week in Anaheim.  I have been fortunate enough to attend the last several years and will be going again this Friday/Saturday/Sunday - and I was hoping, if you will be there, to be able to meet you and shake your hand.  You are truly my number one inspiration and (virtual) mentor for my drumming and continuing efforts - and it would be an honor to finally meet you (even if for a brief moment).

If you are going to be there, do you know what time(s) and where (i.e. will you be at the Pearl Drums area)?

In any case, thank you for continuing to perpetuate MUSICIANSHIP in drumming.  All my best to you and your equally talented wife, Taylor.

 

Your friend,

Tom Crawford
Aliso Viejo, CA
-----------------------------
Hi Tom,

Thanks for the very kind words indeed.  I'm getting your note (which are forwarded to me) a good two weeks after namm, so.....

I was there Thursday and the first part of Friday only--and then I was on the road.  Sorry if we didn't meet and if we did, nice to meet you!

Thanks again for the kind words--they do mean a lot.
Cheers!
Todd

Hello Todd,
  First off let me say that it is fantastic seeing a player or your ability (Using technique to achieve musicality) I have been playing for 23 years. For the first 8 I played traditional grip then switched to matched. (Teen ager + RUSH = style change) I have switched back to traditional just to give my left had muscles a break from matched. Like yourself I play a large kit and was wondering how you get around yours using traditional? Are there different hand positions you use (for toms etc.)or is basic hard work?(putting the time in and being patient)

Thanks for taking the time and keep on inspiring people.

Sincerely,
Stephen Goscinaik
Philadelphia Pa
--------------
Hi Stephen,

Your somewhat correct--- putting the time in and being patient will always serve you well.  I don't know if you have my dvd or not, and not that I do anything special, but I set up in accordance with my own physicality.  My 12" tom is very close to me because going down the toms I loose a little reach with trad grip vs matched.  It makes ergonomic sense.  If you have the dvd you might notice that. 

As well you are re training yourself to do something you once did long ago.  There will be an adjustment period.  So be patient and be aware of your motions and check that you aren't doing anything counter productive.  Practice motions slowly---like a martial artist.  See and feel what is going on with your motions.

I hope this helps and I wish you luck-
Todd

Todd,

Loved the picture gallery of your studio. I had a question about your
snare storage rack/shelves. Where did you get them? Did you make them?

Thanks,
Clark
------------------------------------------
Hi Clark,

They are bookshelves from Ikea.  I got the idea from Steve Maxwell's drum shop in Chicago back on '03.

Thanks-
Todd

Hi Todd

Had the pleasure of watching you (and Taylor) many times and meeting
you @ Pancho's... Some awesome, unforgettable stuff there w Jimmy,
Koko and the gang... even my friends and relatives from Europe, who
have never been in the USA before, were lucky to catch you there and
left "in shock"...

So, when are you coming back to Pancho's?

Thanks and all the best

George
---------------------------------
Hi George,

I love playing there and I miss it greatly. I miss my friends there to--and it's really the biggest thing I miss about not residing in LA anymore.  I just haven't found the time to make it back there yet.  I certainly hope to at some point.  It's been too long.

Thanks for the kind words-
Todd

Hello and Greetings Todd, I'd like to thank you for sharing your skills, friendship and humility throughout the drumming community. Your DVD is fantastic and is a great source of inspiration as well as a constant learning tool. My question is: are you using a triangle on the intro to Lady? If so, what size and type? Thanks and God Bless You! John, NY
------------------------------------------------
Hi John,

Thanks for the compliments and for getting the dvd.  I really appreciate it.  Well, "Lady" is a thing finger cymbal.  It was on the original recording as well.  Mine is by Sabian and I think they make two models.  Mine are the thicker of the two. Hope that helps.

Cheers-
Todd

Dear Todd:
  
 I just want to say that guys like you come around but once in a lifetime.  I can only say that I am glad that it was during mine.  I truly enjoyed your awe inspiring ability to convey a message at your recent clinic in Sacramento.  My kids asked me what I wanted for Christmas this year and I got the best possible drummers reference manual out there. Methods and Mechanics.  A very comprehensible and enlightening DVD.  Thanks for sharing your demeanor and your gifts with a very appreciative public.
                             
 Bruno Peters
-----------------------
Hi Bruno,

Thank you for that lovely note. I'm happy that you enjoyed the clinic and the dvd---and it's gratifying to get feedback such as yours.  I wish you the best with your playing!

Thanks again-
Todd

Dear mr.todd,

I am Januar from Jakarta, Indonesia. I want to ask you about the way to get the exercise for solo drum performance?

Thanks.
--------------------------------------

Hi Januar,

Well, hmmm.  It's a matter of putting ideas together like sentences when speaking.  You want to SAY something on the instrument when it's your time to solo.  You put words together (rudiments, rhythms, orchestrations) in fluid musical ways to get your ideas across when playing.  Just like when you speak with your mouth. You might find some more of my ideas, or what I think your looking for in my DVD available here:

http://altitudedigital.com/todd-sucherman-methods-and-mechanics.html

Thanks for your note-

Todd

Todd,  I've tried to email you last month about your clinic at ALPHA MUSIC  in Va. Beach, VA on Dec. 14th.  While standing next to you when you were signing autographs I heard you say that you get to read your emails about once a month so if you do ever read my previous one it's a little late for it to matter.   However I just want to say that I, and a student of mine Cole Moore truly enjoyed your clinic.  You are a real life "Big name Drummer" with a still famous band that came across as a real life person.  That impressed me the most.  You spoke  truths that probably every young drummer in that room needed to hear.    Your talk about ethics, being early, (not just on time), attitude and personality will get the majority of those future drummers more gigs then all the stick twirling, arms flailing,  highly technical or  speed induced  hands and feet.  I personally was glad to see your use of simple single and double stroke rolls use around the kit and cymbals. Triplets, Swiss Triplets, Flams, and Paradiddles are the meat and potatos of a good solid drummer today just as they were back when I was a kid. I thank you personally for putting on a show that used so many of the rudiments and techniques  that I impress on my kids.  Something as simple as when you explained that playing traditional grip that you want your palm facing the wall not turned upward got me a look from Cole of   "I guess I can believe you now that I heard it from a Pro".

Your statement of how you learned so much from the "Old guys" that you got to play with from the start of your career made me feel good that I actually have students that take lessons from this "Old guy".  I've made it a practice to challenge some of my students to bring me something new, that they worked out themselves from a drummer playing in songs that they are listening to.  And I'm willing to learn from them too.  I believe that helps them to understand that none of us are ever too old to learn something new. 

I'm going to try to attach a couple of pictures.  One is myself with my students who I give lesson to at my church for free as part of what we call "Drummers for Jesus" the other is of you and Cole. 

Once again, we enjoyed your clinic, we enjoyed meeting you and best wishes for this Holiday Season and a Happy New Year.                         Dan Laino
                                 
-------------------------------------------------------------------
Hi Dan,

Thanks for that great note.  I'm so glad that you, Cole, and maybe a few of your other students got something from my presentation.  I really love doing clinics and imparting useful information to other players of all ages.  I really appreciate your time to let me know how you felt about it and how it effected your students.  Give my best to Cole---and tell him to hang in there and keep playing!

Thanks again, Dan!

Take care,
Todd

Dear Todd:
        'Howdy doo' to my favorite (and greatest) drummer in the whole wide world.
        I sent these pictures to show you that GOD is also a STYX fan!
        I am a photographer (and die hard STYX fan) in the Houston area. A week ago, while shooting a gorgeous sunset I took these pictures. They are in NO WAY, SHAPE or FORM edited, altered or forged. I think the X may take a bit of imagination but I believe that there is NO DOUBT that GOD was spelling out the bands name in the clouds. The second picture was included just to prove that the first is not edited. The third was included just to show you how beautiful the sunset was. I hope that you enjoy...
        Also, I continue to be astounded as I attend STYX concerts and listen to exiting fans talk about how surprised and impressed by your band - and it continues to make me smile when I listen to what newly minted STYX fans have to say about your drum work. You truly are a gifted, talented and simply incredible drummer.
       I hope that you (and the boys in the band) are still enjoying your jobs and each others company. I shudder to think what life would be like without you, Tommy, Lawrence and the others, playing together and sharing those wonderful songs with the world. The world is a better place thanks to your songs.
        If you like these pics, you are welcome to check out my works on my FACEBOOK account. And you are welcome to a few prints if you wish.

Always a fan,

John W. Harmon
----------------------------------
Hi John,

Thanks for those pics.  What a trip!  They are beautiful indeed.  As well, thanks for the kind words and Im happy you get enjoyment out of what we do.

My best to you--
Todd

Hi Todd,

First of all I got to say I really like your drumming style. I have watched many of your videos and I will buy your dvd as soon as I find a place were I can find it. 

So I am from Finland and Im seventeen years old. Been playing for many years and I haven't had any problems until last spring. I trained a lot for a drum diploma and I injured my wrists. I dont no what its called in english but I drummed too much and my wrists were used too much. My wrists hurt very much. So I had to stop drumming for  many weeks so that they would be fine. I still dont know what made it happen. Me and my drum teacher tried to think if something was wrong with my technique and I learned a new style of holding sticks from your clinic video. The tips on hand technique. It really helped my drumming so thanks. But now the hole autumn my wrists have been a little acheing and now my wrist are again so injured that I cant play or do anything...

I could really use some tips for playing and I would really be grateful.

Hope to hear from you...

Joonas Luotonen  
--------------------------------------
Hi Joonas,

I'm sorry to hear of your injury.  Thankfully I have never had any problems like that so I cannot speak from experience on this topic.  We are all different physically and without seeing you play, it's hard for me to suggest anything.  But I guess I can suggest being loose when you play.  Leave that space between your thumb and first finger.  If you are gripping to tightly or have tension in your hands and wrists when you play---that's when you can hurt yourself.  I hope you are back to normal by the time you read this!  And I hope this helped in someway.  Be loose, Joonas.

My DVD ships right to your door in Finland from this web address:

http://altitudedigital.com/todd-sucherman-methods-and-mechanics.html

I spend some time talking about technique that might help.

I wish you luck and healthy wrists!  Keep playing......

Todd

Hi Todd,
I too am enjoying watching the new DVD.  As a home studio drummer, I am curious about the technical aspects of that project.  Such as: Were gates used on the drums? What software was used to record the audio? Video? What mics were used.  What about eq and compression? And last, where is the beautiful house where the video was shot?
Best,
Mike=
------------------------------------
Hi Mike,

Thanks for picking up the DVD.  I don't remember us using any gates on the drums, but I didn't engineer it.  I'm not a fan of gates so my guess is they were not employed.  I think we recorded it in Digital Performer on a Mac, shot with Sony HD cams, edited on Final Cut Pro.  All the mics were by Audix.  I don't know about eq or compression but I know we used about 20 thousand dollars of Presonus ADL600 mic pres.  The DVD was shot about 40 minutes outside of Austin, Texas on the Perdernales River.

Hope that answers your questions-
Cheers,
Todd

Hi Todd,
My name is Eric, and I am HUGE fan of what you do.  Styx has been my favourite band since ’77 when I first heard The Grand Illusion on the radio.  I was in 7th grade at that point.  Anyway…
I just wanted to ask if you any opinion on the “Heel toe” Technique. 
I am not into the style of music that requires thunderous Double bass at break neck speed, a technique that I have found to be fascinating and impressive, but I would like to try to learn it so that I can use it at some point in my playing.  Any advice would be fantastic!
I have seen you live 5 times  and just got my copy of your DVD.  I was blown away.  I love to watch you play.
Looking forward to hearing from you.

Be blessed,

Eric Boorman
-------------------------------------------
Hi Eric,

Thanks for the kind words and thanks for picking up the DVD.  I never was a "heel-toe" rocking motion guy.  As a matter of fact, I'm not sure I ever spent a moment working on it.  I do a heel push thing (which I believe is in the dvd) but not the classic heel-toe rocking motion.  Sorry that I have no real opinion to share!

Thanks again, Eric. 

Todd

Hi Todd,

I had to write you after seeing you with Styx at the Thousand Oaks Civic a few days ago. You are one unbelievable drummer! It's not often a drummer combines such an unreal swing feel with technical brilliance.

I've been playing drums for years and I can sincerely appreciate the wealth of talent you bring. Being a fan drummers like Steve Smith, Vinnie Colaiuta, Jeff Porcaro and the alike...I have to say that you are truly inspiring to watch. You added so much to the songs of Styx, and did so in such a classy way.

Thanks for the drumstick!

All the best,

Stephan Longo
------------------------------------
Hi Stephen,

Thanks!  You listed three of my favorite players there, and to be mentioned alongside those giants is amazing for me.  So thanks a lot.  I'm really flattered, and happy you came out to check us out--and that you enjoyed it.  Hope you can make it out next time we swing through town.

Thanks again, Stephen!
Todd

Hey Todd!
  I think it's great you let the drummer fans email you! I have too many questions to ask you but I will try to not ask too much at once.
  
 Do you think you will ever do a drum clinic in Rhode Island or nearby Massachusetts? I live in Bristol by the way and I think you would like it around here in the warmer months. If you let me know I could be your guide and I am a great Italian cook so you wont go hungry. I also have a gaggle of Sonor drums to play.  I will keep an eye out for you! I cant put my number here but I am in the book, and you have my email!

 Have you or would you ever play acrylic drums? If so , how would you make them sound the best? Its been a long time since I owned a set of wooden drums and will try to get myself a nice set. Do you think there is one drum maker out there that takes the cake, or do you think that they all make good stuff? It's okay to be honest.  I play my old Smoke Sonors and one day I want some nice wood grained drums.  I love those Pearl's in your drum room. 

I see you have many snare drums as well. What is your most used and most recorded snare?

  Thank you

David Donato
Bristol RI 02809
 ------------------------------
Hi David,

I have a couple New England area clinics coming up in early April, so check the news section of this site.  Normally I do not have much hang time--as I spend several hours building the kit from scratch and soundchecking.  It's then customary to grab a bit with the company reps and shop people who brought me there.  Nonetheless, I hope you can make it to one of the dates.

I've never been a fan of acrylics, and therefore have none in my collection.  So I can't really reflect on them either way.  I'm in love with woods---especially exotic woods so that's what floats my boat sonically and esthetically.  I can't say I have a "most recorded" snare. I'm happy that they all get to see some action!

OK, man.  Thanks again and I wish you the best-
Todd

Todd,
I thought the drummer for the Who (I can’t remember his name) in 1989 was great…but after last Wed night…I now know who the best drummer in the world is…and it’s YOU!  Holy shi_ you tore it up!  I’m still stuck in the 70’s and proud of it…much to the shagrin of my wife. Anyway, thanks for saving the  convention for me! All the best to you and the band.

Bill Bartlett
Rochester, NY
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Hi Bill,

Thanks a lot!  Simon Phillips played with The Who in '89 and is a hero of mine, so I really appreciate the kind praise very much.  Come see us again when we swing through your neck of the woods.

Cheers!
Todd

Hi Todd.

 First of all, I would like to say I think you have one of the best sounds in drumming today. I see on your Sabian profile you use a 22" Vault precision ride. Is this a custom prototype Sabian cymbal? I think the cymbal sounds great. Thanks, David Gray.
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Hi David,

The 22" Precision is available to anyone and is what I use on the road with Styx.  It's a great rock cymbal with great ping and a killer bell.  I've used it for over 10 years now.

Thanks for the compliment!

Take care,
Todd

Todd,
            Your playing is inspiring. I love how you mix technicality with musicality. You’re one of the most tasteful players I’ve heard. My question is this: what is your typical practice routine like? What do you often practice now and what did you practice before? Thanks for revitalizing my love for the instrument.

-Brandon
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Hi Brandon,

We are all what we practice.  So what you hear (from yourself or others) is the direct result.  I find I don't have the time I'd like to have to practice---basically because I'm always working which is a good thing!  But it helps to have something to practice FOR.....a gig, a recording, a project.  That helps me focus in on the task at hand.  Right now I'm getting my stuff together for 2 Lawrence Gowan shows in May.  We are doing the Strange Animal record in it's entirety and it's proving to be a challenge.  Jerry Marrotta played on the original recording and he's a gifted and unique player.  There's Linn programming all over as well, so that has me busy at the moment.  So that's what I'm working on this week.  My routine will revolve around what is coming up in my schedule.  But as I say in my DVD in the "Thoughts on practicing" section, you can get more out of a solid focused hour than you can out of "just playing" for three hours.  There's more thoughts as well, obviously.....

Hope that helps!

Cheers,
Todd

hey Todd
i saw a clinic of yours and i must say i was very impressed it made me want to be much more involved with drums and it really made me love music, i have two questions for you. my first one is about drumhead's, i must say I'm curious as to what kind of heads do you use? my other question, what did you work on to become a rock drummer, did you do a lot with jazz and all different kinds or just work on rock? also did you work on concert/orchestral or rudimental drumming or just strictly drum set?

thank you
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Hi________,

I use Remo drum heads.  That as well as some of the information you seek certainly must have been covered in the clinic, no?  Hmmm. Well, I really appreciate the kind words.  For more of my background and ideas may I suggest the DVD?

http://altitudedigital.com/todd-sucherman-methods-and-mechanics.html

Thanks again-and thanks for making it out to the event.
Todd

Hey Todd, I hope all is well your way.  I just wanted to drop you a 
quick note to make sure that you eventually received the 45 record of 
the Sucherman Brothers.  I was hoping to be able to give that to you 
in person at your recent clinic in Ohio, but was unfortunately not 
able to make the event.  Luckily my friend Scott was planning on going 
so I could assure that it was handed directly to you.  I tried to 
explain to him the circumstances surrounding the record, but I think 
he was just so excited to meet you that he must have not remembered 
all of it.  It was simply a small thank your for your kindness to my 
son in the past.  You were kind enough to give my son not only one of 
your played snare drum heads, but also one from each of your toms as 
well.  I have known Michael Lowe for quite some time now and have 
helped him on numerous occasions in his quest for Neil Peart related 
items.  He has always known that my son and I have been two of your 
biggest fans and was able to secure the heads for my son due to your 
kind generosity.  So...  Thanks again for sharing your gift of music 
and for sharing something as special as the heads that you provided.  
You should have seen the look on his face when they arrived in mail.  
He was utterly speechless.  Oh...  about the record...  Unfortunately, 
there is no exotic tale on how we located it.  We regularly look for 
the small mom and pop type record stores that still carry vinyl.  We 
always check the Styx bin for unusual items and this just happened to 
be sitting in there between some albums.  We had been looking for 
something to send you as a thank you, but could never find anything 
that we felt would express our gratitude.  This, on the other hand, 
was perfect.  It just took a really long time for it to get to you.  
I'm sure that there can't be too many of them out there, and I can 
assure you that it is the only one that I have ever seen.  I am 
constantly looking for your drumming related items and this is the 
only one I have ever seen.  Sorry for the lengthy message and I'm sure 
that there is really no reason for you to post this on the "Ask Todd" 
page.  I just wanted to make sure that you did eventually receive it 
as evidently it had to be mailed to you since you were on the road at 
the time.  Here's my info if you ever need to get a hold of me or my 
son Josh.

Thanks again,

Tim Sandman
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Hi Tim,

I posted this because I could not find your info in the forwarded batch of emails.....so in short, thank you very much.  I got it and I appreciate you kindness very much.  That 45 was not actually "us" but something we did for the writers.  It's a long, long story....

Anyway my best to you and thanks again-
Todd

Hello again Todd,

This is Lenny Baker who you so kindly answered questions from back in April of this year (2009).  First, thank you very much for taking the time to answer my questions, as well as the other great musicians writing you.  You are truly the creme de la creme.  I don't know who the group I saw on the Jerry Lewis telethon was, I just remember a blinding display of drumming and an exquisitely beautiful drum set, so when I saw and heard your flawless drumming and kit, I naturally thought of you.  My bad.

I wanted to let you know I also got your awesome DVD, and as everyone says, it is certainly well worth the money and then some.  However, that sort of leads to my question, if you'd be so kind.  I now realize I was very rude inquiring about your lack of smiles and facial expressions, but  we fans sometimes forget our heroes are only human just as we are, dealing with the same stresses and difficulties of everyday life.  Again, I'm sorry.  That leads to the question I'd like to ask: After 30 years of drumming, I have suddenly lost all confidence, I can't even keep a simple 4/4 rhythm for 3 bars anymore, let alone a whole song.  I've had huge stressors lately, what with deaths in the family, problems at work, a broken 5 year relationship, etc.  You have so much confidence, I was wondering if you could shed some light on things I could do to get my mojo back please?  I've dealt with this on a much smaller scale over the years, but this time it seems my rhythm has left entirely.  And like Mr. Chandler, I'm bummed because I never became the next Keith Moon or John Bonham because I'd been told by a few excellent musicians I sound like a combination of those 2 greats; and one even said my playing was like a pianist playing drums (he'd love you!).  I'm going to watch your video through all the way, as I have not done that yet, I'm sorry to say.  I'm sure I'll find some pearls of wisdom to help me over this hump, but I'm very afraid because I love music and playing drums; without that, I'm worthless.

Thank you once again for your incredible kindness and humanity, which comes through as loud and clear as your stamina behind the drums,

Lenny     
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Hi Lenny,

First off, no apologies necessary.  Secondly, I hope that your mojo has indeed returned by the time you read this.  Perhaps the DVD provided some thoughts or just by simply spending some time behind the drums.  I have never dealt with a situation like that so I can't speak from experience.  Relaxation is key.  Don't stress, don't worry.  Nothing flows if your freaking, you know?  Play slow, simple things.  I mean the most basic "boom, whack, boom-boom whack" stuff.  Quarter note fills on the snare alone.  Easy, easy stuff. SLOW and steady for a LONG time and build from there.  Don't rush it.  Take your time and be CALM.  That's really the best I can offer right now.  Just be patient.  It's like riding a bike.....

I wish you luck, and remember to have fun and enjoy it.  That's the point.

Cheers,
Todd

Todd,
              I am a drummer from near Pittsburgh, PA.  After playing acoustic drums for about 40 years I now play a Yamaha DTXpress III electronic kit.  I stopped gigging and find the electronic kit is good for me for a number of reasons.  However, when using hickory sticks on rubber pads causes a good deal of pain in the hands.  I had read on the web that maple sticks are lightweight.  My local music store had one pair of maple sticks in the store, and they were your signature SD330W sticks!!   I like them a lot, nice diameter and lightweight!!  I just thought you might like to know a bit about who uses your endorsed products.

Best Regards
Rich
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Hi Rich,

Yes, I would think maple stick would work perfectly in that sort of application.  (I'm quite happy with the on real drums too!)  But I appreciate you letting me know that they are working and you're digging them.  Hopefully your local shop will keep 'em in stock for you!

Wishing you happy and pain free drumming--
Todd

Dear Todd,

First I just want to say how much I enjoy your playing! I own your DVD and find something new to work on every time I watch it. I have always thought your drums sound particularly good no matter the venue. I noticed in your pics of your new Masterworks kit that you chose 2.3mm triple flanged hoops. Why is this? Most Pearl kits come with die-cast. What made you go down to the triple flange?

Thanks for all you have done for the drumming community!

Hopefully Styx will come through Jopin, Mo. in the near future.

Sincerely,
                  Adam Martin
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Hey Adam,

Thanks for the compliments and I'm happy the DVD has given you things to work on in your playing.  You know, I just like triple flanged hoops for their song and feel.  They are lighter and warmer to the touch and they open up the sound a bit.  The toms are fluffier and warmer in my opinion.  Now, there are some drums that work well with die cast.  But for my taste, I'm a triple flanged guy.  I once did a club gig with two identical drums, same heads, same tuning on both.  The only difference was the hoops. My drummer pal in the club agreed with me---triple flanged won the night.

Hope that answers it for you.

Thanks again and take care!
Todd

Hi Todd,

I recently got back into drumming after a 20some years of a hiatus.
Marriage,kids, full time job kept me away from my dreams. Believe me,
I'm not saying what you have done isn't hard with life surprises.  Being
a long time Styx fan and a Todd wanna-be(am I a suck up or what?), I
thought I'd ask your advice, instead of just saying how wonderful you are.

With my aging bones, I have noticed from my recordings my bass tempo is
very unnatural.  I feel I'm right on beat, but something just doesn't
sound right. I do use a single bass and I know I'm not as fast as I was
when I was 20. I have adjusted my pedal so many different ways and I
still can't seem to sound right. One of the guitarist I jam with said
I'm too tight assed. I think that may be the better way to put it.

I have never used a double bass, but I am considering a double bass
pedal. Dang, those things cost a lot. Should I just buy your DVD or
should I invest in a double bass pedal? Or both? :) Or find a way to
loosen up better?

On a side note, I thought I'd show you a picture of my kit. I'm not able
to show it off as much as I'd like to. The art work is phenomenal. You
probably even know the dude who painted it. This is one of my
inspirations for returning to drumming.

Look forward to seeing you perform in Toledo this month.

Dave
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Hi Dave,

Lovely kit by the way.....

OK.  I'm not entirely sure what you mean, but buying a double pedal will do nothing if it ain't happening with one.  Make sense?  Start with slow stuff--1 and 3 on the kick, 2&4 on the snare.  Your sound between the bass drum and snare is the meat.  That's the dance...right there.  Hi hats and rides are topping.  A lot of players think with their hands and "fit in" the bass drum.  It should be the other way around.  Your bass drum is the foundation.  You can't build a building starting on the 10th floor.  You need the foundation, and that's what the bass drum is.  Gary Chaffee has great  bass drum building materials in his Patterns Vol 3 Time Functioning book.  My DVD wouldn't hurt either.....but no need to drop dough on a fancy double pedal......unless you want to do that.  But that won't help timing issues with your main pedal!

Just be patient and play slowly.  Build it up. Relax.......

I wish you the best!

Todd

Hey Todd, I’m a new great appreciator of your work, (after watching many Styx tunes from the ’96 Tour on You Tube.)
            Your drumming is just amazingly crisp, where as some drummers could “fudge” and muddle a little and get through a rockin tune you nail everything dead on.
Anyway, I was looking at the pictures of your kit on your website and I actually drooled WTF!!!!    Good luck and keep up the good work.
                                                            Paul Sikora.
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Hi Paul,

Thanks for the kind words.  They are appreciated.  You know, that '96 tour is available on DVD.  Much better quality than youtube!  And maybe the musicians actually see a shekel or two........

Thanks again, man.

Todd

Hello Mr. Todd Sucherman,
I am a huge fan of all your work from Styx to Taylor Mills. I purchased your dvd sometime ago and it always continues to amaze me. You are a huge inspiration to me and my drumming and although I'm just a teenager I  think I'm very serious with this instrument and am looking at playing it in the future as a career. I saw that you shed a little light on it in your dvd, but I was really wondering on how you got to where you are now. I think it is very cool how you moved up to Chicago after one year at Berklee and I would love to hear more of your story. When you arrived in Chicago, where did you start? How did you get enough gigs to support yourself? Did you know people there to help you find work? As I get older I want to move to the city and play my music full-time for the rest of my life so I feel I could use all the help I can find. Any additional quick tips and advice would be so much appreciated. Thank you again Mr. Sucherman, and I will always be a fan of your music.
-James
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Hi James,

Well, I was from Chicago so I never relocated there.  I had older brothers who also helped pave the way for me in the school music programs and I could take advantage of their networking as we all got older.  So I was always playing with older, more experienced players.  When I came back home after my one year at Berklee I just worked with guys I knew, met more guys through them--and took every gig I could.  I was always early, I was always prepared, I always had great gear, and I tried to leave everyone happy that I was there---musically and personally.  That's how I've always tried to conduct my business.  You have to go out and met people and ultimately play with them.  If you have the DVD, the "For the Right Reasons" section near the end of disc one has a lot of ideas, and check out the "Personal History" section in the Bonus features in disc 2.  Those will give you more of my story.  Bet everyone's experience is unique.  Mine was.  So will yours.

I wish you the best of luck!

Todd

Todd just a quick note when you first took over for john (rip) i did not like you. i have been drumming for a long time 1960s and i was very fond of john seen styx many time. but after studding you for years now i was very wrong you are one class act and one hell of a drummer. john would be proud of what you and styx have done. please accept my apology. oh by the way do you like that demon drive?          keep on rocking Todd. regards Dana south Ga

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Thanks for the kind words, Dana.

Todd